| dc.contributor.author | Pietrusza-Budzyńska, Maria | |
| dc.date.accessioned | 2026-09-16T11:07:41Z | |
| dc.date.available | 2026-09-16T11:07:41Z | |
| dc.date.issued | 2018-12-30 | |
| dc.identifier.citation | Pietrusza-Budzyńska M., Teatroterapia Lubelska. Aktor, [w:] Spektakl jako wydarzenie i doświadczenie: Aktor, Jajte-Lewkowicz I., Wąsik M. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2018, s. 175-192, https://doi.org/10.18778/8088-782-4.12 | pl |
| dc.identifier.isbn | 978-83-8088-781-7 | |
| dc.identifier.uri | http://hdl.handle.net/11089/59354 | |
| dc.description.abstract | Basing on 21 years of experience in Theatrical Laboratory, which I called Lublin’s Theatre Therapy or Theatre of Disabled People I am asking a question to myself and to all who are interested in this kind of life style: What does unprofessional actor get when he allows director to lead him? What does he get from being a part of theatre, where I am a director? What does he achieve and what do I achieve? Was he given a second life? Is theatre only a beauty salon for disabled people? P.S. Members of Lublin’s Theatre Therapy are called in Lublin creators and co–creators of culture and art. They are called actors ... | en |
| dc.language.iso | pl | |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
| dc.relation.ispartof | Jajte-Lewkowicz I., Wąsik M. (red.), Spektakl jako wydarzenie i doświadczenie: Aktor, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2018; | pl |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.title | Teatroterapia Lubelska. Aktor | pl |
| dc.title.alternative | Lublin’s Theatre Therapy. Actor | en |
| dc.type | Book chapter | |
| dc.page.number | 175-192 | |
| dc.identifier.eisbn | 978-83-8088-782-4 | |
| dc.identifier.doi | 10.18778/8088-782-4.12 | |