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dc.contributor.authorPérez Zapata, Beatriz
dc.date.accessioned2014-12-23T14:29:05Z
dc.date.available2014-12-23T14:29:05Z
dc.date.issued2014-11
dc.identifier.issn1641-4233
dc.identifier.otherDOI: 10.2478/ipcj-2014-0006
dc.identifier.urihttp://hdl.handle.net/11089/5985
dc.description.abstractZadie Smith’s latest novel, NW, presents a multiverse in which multiplicity is driven into homogeneization by the forces of those dominant discourses that attempt to suppress the category of the “Other.” This paper focuses on the development of the two female protagonists. Their opposing attitudes towards motherhood, together with their confrontation with their origins, bring to the fore the performativity found in the discourses of gender, sexuality, class, and race. Thus, this paper will explore authenticity and performativity in a contemporary context, where patriarchal and neocolonial discourses still apply.pl_PL
dc.language.isoenpl_PL
dc.publisherLodz University Presspl_PL
dc.relation.ispartofseries(16)2014;
dc.subjectAuthenticitypl_PL
dc.subjectperformativitypl_PL
dc.subjectneocolonialismpl_PL
dc.subjectintersectionalitypl_PL
dc.title‘In Drag’: Performativity and Authenticity in Zadie Smith’s NWpl_PL
dc.typeArticlepl_PL
dc.page.number83–95pl_PL
dc.contributor.authorAffiliationUniversity of Zaragozapl_PL
dc.identifier.eissn2300-8695
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dc.contributor.authorEmailsar_dalal@yahoo.frpl_PL


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