| dc.contributor.author | Sharrad, Paul | en |
| dc.date.accessioned | 2015-04-29T12:30:29Z | |
| dc.date.available | 2015-04-29T12:30:29Z | |
| dc.date.issued | 2012-12-04 | en |
| dc.identifier.issn | 2083-2931 | en |
| dc.identifier.uri | http://hdl.handle.net/11089/8479 | |
| dc.description.abstract | Poland features in a number of Keneally’s books and is one of the leading sources of translation for his work. The article explores possible causes and effects around this fact, and surveys some reader responses from Poland. It notes the connections that Keneally’s Catholic background and activist sympathies allow to modern Polish history and assesses the central place of his Booker-winning Schindler’s Ark filmed as Schindler’s List. | en |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | en |
| dc.relation.ispartofseries | Text Matters - A Journal of Literature, Theory and Culture;2 | en |
| dc.rights | This content is open access. | en |
| dc.title | Interpodes: Poland, Tom Keneally and Australian Literary History | en |
| dc.page.number | 169-179 | en |
| dc.contributor.authorAffiliation | University of Wollongong | en |
| dc.identifier.eissn | 2084-574X | |
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| dc.identifier.doi | 10.2478/v10231-012-0062-7 | en |
