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dc.contributor.authorChakrabarti, Sumit
dc.date.accessioned2012-11-13T13:37:12Z
dc.date.available2012-11-13T13:37:12Z
dc.date.issued2013-11-01
dc.identifier.issn1641-4233
dc.identifier.urihttp://hdl.handle.net/11089/1060
dc.description.abstractThe essay takes up the issue of postcolonial representation in terms of a critique of European modernism that has been symptomatic of much postcolonial theoretical debates in the recent years. It tries to enumerate the epistemic changes within the paradigm of postcolonial theoretical writing that began tentatively with the publication of Edward Said’s Orientalism in 1978 and has taken a curious postmodern turn in recent years with the writings of Gayatri Spivak and Homi Bhabha. The essay primarily focuses on Bhabha’s concepts of ambivalence and mimicry and his politics of theoretical anarchism that take the representation debate to a newer height vis-à-vis modes of religious nationalism and Freudian psychoanalysis. It is interesting to see how Bhabha locates these within a postmodern paradigm.pl_PL
dc.language.isoenpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesInternational Studies. Interdisciplinary Political and Cultural Journal;Vol.14; No.1/2012
dc.subjectPostcolonialism, representation, Edward Said, Homi Bhabha, Gayatripl_PL
dc.titleMOVING BEYOND EDWARD SAID: HOMI BHABHApl_PL
dc.typeArticlepl_PL
dc.identifier.eissn2300-8695


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