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dc.contributor.authorBoruń-Stelmaszczyk, Anna
dc.date.accessioned2015-11-25T11:26:08Z
dc.date.available2015-11-25T11:26:08Z
dc.date.issued1984
dc.identifier.issn0208-6050
dc.identifier.urihttp://hdl.handle.net/11089/14355
dc.description.abstractThis article describes a fragment of studies on activités of camp theatres at Arswald and Woldenberg between 1940— 1945. It starts with a short characteristic of the repertoire, founders of the theatres, actors, and audience. The camp theatre was established and run exclusively by prisoners of war, and it had a definite soldier-audience. This exerted an influence on its repertoire and determined its function among the camp community. The analysis encompasises the texts of Stefan Flukowski (1902— 1972) written at Arswald and Woldenberg in the years 1940—1945 for the local theatrical stage. In these works of special interest is application of the symbol by the author. The symbol was holding a specific place in the creative work of camp theatres. There were introduced these symbols on the sta g e the materialization of which included the contents being most valid for the camp community. These were national symbols: Wawel Castle, King Sisigmund's Bell, knights' ensigns so valuable for a soldier-prisoner as well as symbols linked with the camp life and the personal situation of prisoners. The problems of captivity and confinement on a relatively small area of several thousand men were of the utmost significance here. This fact caused that some subjects became an obsession with prisoners e.g. problem of love, woman, longing, need of fulfilment as a man or of finding confirmation for oneself. The theatre moving all the se problems on the stage was performing a cathartic function in relation to spectators. It was the only place where a spectator was getting involved in these emotions and this experience, which he could not express or respond to otherwise because of the censorship and specifics of the camp community. It was purifying the psyche of spectators, raising their spirits, and giving a hope for survival.pl_PL
dc.description.sponsorshipZadanie pt. Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej naukę.pl_PL
dc.language.isoplpl_PL
dc.publisherUniwersytet Łódzkipl_PL
dc.relation.ispartofseriesActa Universitatis Lodziensis. Folia Historica;19
dc.titleZ badań nad działalnością teatru obozowego w Arswalde 1940-1941 i Woldenbergu 1941—1945pl_PL
dc.title.alternativeCamp Theatre in POW Camps at Arswald and Woldenberg between 1940—1945pl_PL
dc.typeArticlepl_PL
dc.page.number23-38pl_PL
dc.contributor.authorAffiliationUniwersytet Łódzki, Instytut Historiipl_PL


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