Theatre Reviews: Noh King Lear. Dir. Kuniyoshi Munakata Ueda. Kanze School.
Kioi Hall (Small Hall), Tokyo, 29 April 2009.

Minami, Ryuta

dc.contributor.author	Minami, Ryuta
dc.date.accessioned	2013-04-09T09:52:00Z
dc.date.available	2013-04-09T09:52:00Z
dc.date.issued	2010
dc.identifier.isbn	978-83-7525-477-8
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/1504
dc.language.iso	en	en
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;6/7
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.title	Theatre Reviews: Noh King Lear. Dir. Kuniyoshi Munakata Ueda. Kanze School. Kioi Hall (Small Hall), Tokyo, 29 April 2009.	pl_PL
dc.type	Other	pl_PL
dc.page.number	159-164
dc.references	Keene, Donald. Nô and Bunraku: Two Forms of Japanese Theatre [1965]. New York: Columbia University Press, 1990.
dc.references	Masaki, Dômoto. “Dialogue and Monologue in Nô.” Nô and Kyôgen in the Contemporary World. Ed. James R. Brandon. Honolulu: University of Hawai‘i, 1997.
dc.references	Orkin, Martin. Local Shakespeares: Proximations and Power. London and New York: Routldge, 2005.
dc.references	Tatlow, Anthony. Shakespeare, Brecht, and the Intercultural Sign. Durham and London: Duke University Press, 2001.