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dc.contributor.authorKowalska, Anna
dc.date.accessioned2013-05-27T11:13:36Z
dc.date.available2013-05-27T11:13:36Z
dc.date.issued2012
dc.identifier.issn1689-4286
dc.identifier.urihttp://hdl.handle.net/11089/1746
dc.description.abstract[The aim of the paper is to consider the concept of the happiness. The text refers to several literary examples of the happiness and characterizes “the spectacles of the happiness”. It shows (in the context of Blanchot’s words) manifold destructive practices associated with the happiness with reference to everyday life. The paper compares the life to the structure of the spectacle and analyses “the spectacles of the happiness” in the context of Goffman’s theory (scene and wings, shown and hidden activities). The article expresses criticism of the vision of life based on the spectacular happiness.]pl_PL
dc.language.isoplpl_PL
dc.publisherHybrispl_PL
dc.relation.ispartofseriesZima 2012;
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.titleDRAMATURGICZNIE NIJAKIE SPEKTAKLE, CZYLI ROZWAŻANIA O SZCZĘŚCIUpl_PL
dc.title.alternativeDRAMATURGICALLY NONDESCRIPT SPECTACLES, OR CONSIDERATIONS ON THE HAPPINESSpl_PL
dc.typeArticlepl_PL


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Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska
Except where otherwise noted, this item's license is described as Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska