Finding a Style for Presenting Shakespeare on the Japanese Stage

Minami, Ryuta

dc.contributor.author	Minami, Ryuta	en
dc.date.accessioned	2017-02-03T17:20:13Z
dc.date.available	2017-02-03T17:20:13Z
dc.date.issued	2016-12-30	en
dc.identifier.issn	2083-8530	en
dc.identifier.uri	http://hdl.handle.net/11089/20487
dc.description.abstract	Japanese productions of Shakespeare’s plays are almost always discussed with exclusive focus upon their visual, musical and physical aspects without any due considerations to their verbal elements. Yet the translated texts in the vernacular, in which most of Japanese stage performances of Shakespeare are given, have played crucial part in understanding and analysing them as a whole. This paper aims to illuminate the importance of the verbal styles and phraseology of Shakespeare’s translated texts by analysing Nakayashiki Norihito’s all-female productions of Hamlet (2011) and Macbeth (2012) in the historical contexts of Japanese Shakespeare translation.	en
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare;14	en
dc.rights	This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0	en
dc.subject	translation	en
dc.subject	style	en
dc.subject	Japanese performance	en
dc.subject	all-female production	en
dc.subject	Ninagawa Yukio	en
dc.subject	Nakayashiki Norihito	en
dc.title	Finding a Style for Presenting Shakespeare on the Japanese Stage	en
dc.page.number	29-42	en
dc.contributor.authorAffiliation	Tokyo University of Economics, Japan	en
dc.identifier.eissn	2300-7605
dc.references	Bellos, David. Is That a Fish in Your Ear?: The Amazing Adventure of Translation. London: Penguin Books, 2010.	en
dc.references	Derrida, Jacques. The Scepters of Marx: The State of the Debt, the Work of Mourning and the New International. New York: Routlege, 2006.	en
dc.references	Kawatake, Toshiio. Nippon no Hamuretto [Hamlet in Japan]. Tokyo: Nanso-sha, 1972.	en
dc.references	Kennedy, Dennis. Foreign Shakespeare. Cambridge: Cambridge UP, 1993.	en
dc.references	Kishi, Tetsuo. “Japanese Shakespeare and English Reviewers” in J. R. Mulryne et al. (eds.) Shakespeare and the Japanese Stage, 110-123.	en
dc.references	Minami, Ryuta. “‘What, has this thing appear’d again?’: Re-playing Shakespeare on the Japanese Stage” in Trivedi and Minami (eds.) Re-playing Shakespeare in Asia, 76-94.	en
dc.references	Murlyne, Ronnie et. al., eds. Shakespeare and the Japanese Stage. Cambridge: Cambridge UP, 1998)	en
dc.references	Shakespeare, William. Hamlet. in Wells et. al. (eds.), The Complete Works, 2nd edition. Oxford: Clarendon Press, 2005.	en
dc.references	Shakespeare, William. Macbeth. in Wells et. al. (eds.), The Complete Works, 2nd edition. Oxford: Clarendon Press, 2005.	en
dc.references	Takemura, Satoru. Nihon Eigaku Hattatushi [The development of English Studies in Japan]. Tokyo: Kenkyusha, 1933.	en
dc.references	Trivedi, Poonam and Ryuta Minami, eds. Re-playing Shakespeare in Asia. New York: Routledge, 2010.	en
dc.references	Tsubouchi, Shoyo. Tsubouchi Shoyo Senshu [Collected Works of Tsubouchi Shoyo], 12 vols. Tokyo: Dai-ichi Shobo, 1977-78.	en
dc.references	Wells, Stanley. et al. eds. William Shakespeare: The Complete Works, 2nd Edition. Oxford: Clarendon Press, 2005.	en
dc.identifier.doi	10.1515/mstap-2016-0014	en

Pliki tej pozycji

Nazwa:: mstap-2016-0014.pdf
Rozmiar:: 351.2KB
Format:: PDF

Oglądaj/Otwórz

Pozycja umieszczona jest w następujących kolekcjach

Multicultural Shakespeare: Translation, Appropriation and Performance (2016) vol. 14 [11]

Pokaż uproszczony rekord

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.