The aim of the article is to argue that Tuwim’s way of conceptualizing both the world and poetry was based on the principle of stanza. In his opinion, the entire world and our experience of it reach us in a stanzaic form. ...

The article discusses the issue of freedom in the work of Czesław Milosz. This problem is analyzed in relation to prose, poetry, essay writing, journalism, as well as numerous interviews that Milosz gave throughout his ...

The subject of the study focuses on the poetry of the Polish-French literature historian Zygmunt Lubicz-Zaleski (1882–1967). The reason for my research was the Polish edition (2016) of his poetic cycle Relikwiarz buchenwaldzki ...

This article discusses the poetry of Michel Houellebecq. Its reading as a world-view statement is defined by its key notion of freedom. The thus specified reading enables one to identify various meanings of the notion ...

Czesław Miłosz’s poetry displays two reverberating topics which may be defined as contradictory existence and world experiences. One of those is the admiration for the beauty of the world and awe consequent upon capturing ...

Words of Jan Albertrandi which he said in 1770, explaining the reasons for publishing the magazine ‘Zabawy Przyjemne i Pożyteczne’, expressed an enthusiasm about the possibility of achieving by Poles the state of the ...

In this article, the authors explore the creative method of Vladimir Aristov on the material of two poems with the involvement of the author’s comments and unique manuscripts. All stages of text creation are tracked. The ...

The use of the colour white, as with other colours evoked by Czesław Miłosz, is not the result of conscious elaboration (technical, philosophical or mystical). Instead, it seems that the colours belong to another level of ...

The article is an attempt at discussing the most important features of Wincenty Różański’s poetry written in the final years of his creative period. This poetry is strongly subjective, manifesting the poet’s Catholicism, ...

Giacomo Leopardi is one of those authors whose texts oscillate on the border between literature and philosophy. It is true that Leopardi does not use traditional forms of philosophical expression, but the fact is that most ...