Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wilde's Salomé
| dc.contributor.author | Dąbrowska, Justyna | |
| dc.date.accessioned | 2017-09-04T16:19:24Z | |
| dc.date.available | 2017-09-04T16:19:24Z | |
| dc.date.issued | 2014 | |
| dc.identifier.issn | 2353-6098 | |
| dc.identifier.uri | http://hdl.handle.net/11089/22492 | |
| dc.description.abstract | The present article engages with the eponymous character of Oscar Wilde’s Salomé and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s Salomé becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical Song of Songs to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Department of Studies in Drama and Pre-1800 English Literature, University of Łódź | pl_PL |
| dc.relation.ispartofseries | Analyses/Rereadings/Theories Journal;1 | |
| dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
| dc.subject | Oscar Wilde | pl_PL |
| dc.subject | Bible | pl_PL |
| dc.subject | Salomé | pl_PL |
| dc.subject | male gaze | pl_PL |
| dc.title | Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wilde's Salomé | pl_PL |
| dc.type | Article | pl_PL |
| dc.rights.holder | Justyna Dąbrowska | pl_PL |
| dc.page.number | 9-17 | pl_PL |
| dc.contributor.authorAffiliation | University of Łódź | pl_PL |
| dc.contributor.authorBiographicalnote | Justyna Dąbrowska is an MA student of English Philology at the University of Łódź. She completed her BA thesis entitled “‘Neither at things, nor at people should one look’: the Gaze Chain in Oscar Wilde’s Salomé” at the Department of Drama and Pre-1800 English Literature at the University of Łódź, and earned a distinction for it. Her main academic interests include modern Irish drama (especially the work of Oscar Wilde and William Butler Yeats), contemporary Irish drama and the broadly defined concept of visuality. She is also interested in the portrayal of women in drama and in the Bible. She is the president of The Geoffrey Chaucer Student Society at the Department of Drama and Pre-1800 English Literature at the University of Łódź. | pl_PL |
| dc.references | Bach, Alice. Women, Seduction, and Betrayal in Biblical Narrative. New York: Cambridge UP, 1997. Print. | pl_PL |
| dc.references | Bucknell, Brad. “On ‘Seeing’ Salome.” ELH 60.2 (1993): 503-26. Web. 16 Nov. 2012. | pl_PL |
| dc.references | Chaudhuri, Shohini. “The Male Gaze.” Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Ed. Shohini Chaudhuri. London: Taylor & Francis e- Library, 2006. 31-44. | pl_PL |
| dc.references | Finney, Gail. “Demythologizing the Femme Fatale: Wilde’s Salomé.” The Routledge Reader in Gender and Performance. 1998. Ed. Lizbeth Goodman and Jane de Gay. London: Taylor & Francis e-Library, 2002. 182-86. | pl_PL |
| dc.references | Garland-Thomson, Rosemarie. Staring: How We Look. New York: Oxford UP, 2009. Print. | pl_PL |
| dc.references | The Holy Bible: King James Version. Cambridge: Cambridge UP, 1995. Print. | pl_PL |
| dc.references | Im, Yeeyon. “Oscar Wilde’s Salomé: Disorienting Orientalism.” Comparative Drama. 45.4 (2011): 361-80. Web. 14 Dec. 2012. | pl_PL |
| dc.references | Janicka-Świderska, Irena. “Dance in Modernist Drama: Oscar Wilde and William Butler Yeats.” Dance in Drama. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 1992. 117-57. Print. | pl_PL |
| dc.references | Marcovitch, Heather. “The Princess, Persona, and Subjective Desire: A Reading of Oscar Wilde’s Salome.” PLL 40.1 (2004): 88-101. Web. 22 Dec. 2012. | pl_PL |
| dc.references | Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism Introductory Readings. 4th ed. Ed Gerald Mast, Marshall Cohen and Leo Braudy. New York: Oxford UP, 1992. 746-57. | pl_PL |
| dc.references | Pismo Święte Starego i Nowego Testamentu, Biblia Tysiąclecia. Ed. Kazimierz Dynarski SAC and Maria Przybył. Poznań: Pallottinum, 2005. | pl_PL |
| dc.references | Sloan, John. Oscar Wilde. New York: Oxford UP, 2003. Print. | pl_PL |
| dc.references | Tookey, Helen. “‘The Fiend that Smites with a Look’: The Monstrous/Menstruous Woman and the Danger of the Gaze in Oscar Wilde’s Salomé.” Literature & Theology 18.1 (2004): 23-37. Web. 16 Nov. 2012. | pl_PL |
| dc.references | Treat, Jay C. “Song of Songs: To the Reader.” A New English Translation of the Septuagint. Ed. Albert Pietersma and Benjamin G. Wright. Oxford: Oxford UP, 2007. 657-61. Electronic Edition of NETS. Web. 11 Feb. 2013. | pl_PL |
| dc.references | Wilde, Oscar. Salomé. The Collected Works of Oscar Wilde. Hertfordshire: Wordsworth, 1997. 717-42. Print. | pl_PL |
| dc.relation.volume | 2 | pl_PL |
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