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dc.contributor.authorZegarlińska, Magdalena
dc.date.accessioned2017-10-17T06:03:54Z
dc.date.available2017-10-17T06:03:54Z
dc.date.issued2014
dc.identifier.issn2353-6098
dc.identifier.urihttp://hdl.handle.net/11089/22955
dc.description.abstractThe Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in fact, a set of stories deeply rooted in Christian and chivalric traditions, containing elements of beast fable and morality tale. The story, according to Madeline L’Engle, depending on the reader's cultural knowledge and experience, may be understood on various levels, from the literal one of an adventure story for children, through the moral and allegorical levels, eventually reaching the anagogical level. While reading The Chronicles, one is able to notice various references to other written works, interwoven into the text, with the Bible, chivalric romances and beast fables being the most prominent sources of intertextual allusions. In The Last Battle Lewis attempts to answer John Donne’s question, “What if this present were the world’s last night?" (Holy Sonnet XIII) and presents a comprehensive image of Narnian apocalypse and life after death in Aslan’s country. The following paper will present the most noteworthy intertextual references in the final volume of The Narniad.pl_PL
dc.language.isoenpl_PL
dc.publisherDepartment of Studies in Drama and Pre-1800 English Literature, University of Łódźpl_PL
dc.relation.ispartofseriesAnalyses/Rereadings/Theories Journal;1
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectNarniapl_PL
dc.subjectintertextualitypl_PL
dc.subjectapocalypsepl_PL
dc.subjectBiblepl_PL
dc.subjectbeast fablepl_PL
dc.subjectKing Arthurpl_PL
dc.subjectRolandpl_PL
dc.titleIntertextuality of C.S. Lewis’ The Last Battlepl_PL
dc.typeArticlepl_PL
dc.rights.holderMagdalena Zegarlińskapl_PL
dc.page.number50-58pl_PL
dc.contributor.authorAffiliationUniversity of Gdańskpl_PL
dc.contributor.authorBiographicalnoteMagdalena Zegarlińska is a senior year graduate student at the University of Gdansk. She is an author of various articles devoted to film studies and British literature, and a member of research groups conducting research in the area of dreams, memory and imagination, and minorities. Her PhD dissertation is devoted to film studies and various manifestations of duality in David Lynch’s films as a source of Freudian “uncanny.” The title of her MA dissertation was: “A passage to Ridleyville: A comparative analysis of visual and auditory elements in “Alien,” “Blade Runner” “Legend,” “Black Rain,” “Gladiator” and “Black Hawk Down,” directed by Ridley Scott.” The subject of her BA research was congruent with the title of the article published in the present journal, i.e. “Intertextuality of The Last Battle by C. S. Lewis.” Her personal interests include film studies, psychoanalysis, British Victorian literature, and British children's literature.pl_PL
dc.referencesAesop. “The Ass in Lion’s skin.” classiclit.about.com. about.com. n.d. Web. 10 Feb. 2013.pl_PL
dc.references“Beast fable.” Encyclopædia Britannica Online. 2008. Web. 10 Feb. 2013.pl_PL
dc.referencesFord, Paul F. Companion to Narnia: A Complete Guide to the Magical World of C.S. Lewis’s The Chronicles of Narnia. Rev. ed. San Francisco: Harper Collins Publishers, 2005. Print.pl_PL
dc.referencesThe Holy Bible: King James Version. New York: American Bible Society,1999. Print.pl_PL
dc.referencesJacobs, Joseph. “The Ass in the Lion’s Skin.” Sacred Texts. n.d. Web. 10 Feb. 2013.pl_PL
dc.referencesLang, Andrew. “Modern Fairy Stories.” C. S. Lewis. Ed. Green. London: The Bodley Head, 1963. Print.pl_PL
dc.referencesLewis C.S. Letters to Malcolm: Chiefly on Prayer. New York: Harcourt, Brace & World, 1964. Print.pl_PL
dc.referencesLewis C.S. “Impertinence.” Of Other Worlds: Essays and Stories. Ed. Walter Hooper. New York: Harcourt, Brace & World, 1967. Print.pl_PL
dc.referencesLewis C.S. “On Criticism.” Of Other Worlds: Essays and Stories. Ed. Walter Hooper. New York: Harcourt Brace Jovanovich, 1966. Print.pl_PL
dc.referencesLewis C.S. The Pilgrim’s Regress: An Allegorical Apology for Christianity, Reason and Romanticism. Grand Rapids: Eerdmans Publishing Co., 1958. Print.pl_PL
dc.referencesLewis C.S. The Last Battle. Glasgow: William Collins, 1987. Print.pl_PL
dc.referencesThe Song of Roland. Ed. James Burrow. London: Penguin Books Ltd., 2000. Print.pl_PL
dc.referencesWęgrodzka, Jadwiga. Patterns of Enchantment: E. Nesbit and the Traditions of Children’s Literature. Sopot: Wydawnictwo Uniwersytetu Gdańskiego, 2007. Print.pl_PL
dc.referencesWhite, William L. The Image of Man in C. S. Lewis. New York: Abingdon Press, 1969. Print.pl_PL
dc.relation.volume2pl_PL


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