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dc.contributor.authorKullmann, Thomasen
dc.date.accessioned2018-04-03T10:50:10Z
dc.date.available2018-04-03T10:50:10Z
dc.date.issued2017-10-07en
dc.identifier.issn2083-8530en
dc.identifier.urihttp://hdl.handle.net/11089/24351
dc.description.abstractThe Hamlet project in Wilhelm Meister can be considered a case study of cultural appropriation. Shakespeare becomes a cultural import, used to define and map a cultural space for the German middle class, which in the nineteenth century set store by the quality of its educational make-up.en
dc.publisherLodz University Pressen
dc.relation.ispartofseriesMulticultural Shakespeare;15en
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0en
dc.subjectGerman theatreen
dc.subjectFrench theatreen
dc.subjecteighteenth centuryen
dc.subjectGoetheen
dc.subjectHamleten
dc.subjectadaptationen
dc.subjectsocietyen
dc.subjectaristocracyen
dc.subjectmiddle classen
dc.subjectbourgeois habitusen
dc.subjectcultural capitalen
dc.subjecteducationen
dc.subjectGlobe-to-Globe Hamleten
dc.titleThe Hamlet Project in Goethe’s Wilhelm Meister’s Years of Apprenticeshipen
dc.page.number147-159en
dc.contributor.authorAffiliationUniversity of Osnabrück, Germany.en
dc.referencesBerger, Albert. Ästhetik und Bildungsroman: Goethe‘s Wilhelm Meisters Lehrjahre. Wien: Braumüller, 1977.en
dc.referencesBorchmeyer, Dieter. Weimarer Klassik: Portät einer Epoche. Weinheim: Beltz, 1994.en
dc.referencesBourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. London: Routledge, 1986.en
dc.referencesFick, Monika. Das Scheitern des Genius: Mignon und die Symbolik der Liebesgeschichten in ‘Wilhelm Meisters Lehrjahren.’ Würzburg: Königshausen und Neumann, 1987.en
dc.referencesGoethe, Johann Wolfgang von. “Wilhelm Meisters Lehrjahre.” Goethe Werke. 6 vols. Frankfurt a. M.: Insel, 1970. Vol. 4: 113-643.en
dc.referencesGoethe, Johann Wolfgang von. Wilhelm Meister. Trans. H. M. Waidson. 1977-82. Richmond: Alma Classics, 2013.en
dc.referencesKullmann, Thomas. “Shakespeare as a Paradigm for the Definition of a National Culture: Goethe and Stendhal.” Shakespeare and the World Elsewhere. Proceedings of the Australian and New Zealand Shakespeare Association. Eds. Robin Eaden, Heather Kerr, Madge Mitton. Adelaide: University of Adelaide, 1993, 73-79.en
dc.referencesLessing, Gotthold Ephraim. “Briefe die neueste Literatur betreffend: 17. Literaturbrief” [1759]. Literaturtheoretische und ästhetische Schriften. Ed. Albert Meier. Stuttgart: Reclam, 2006. 35-39.en
dc.referencesMahoney, Dennis F. “Autobiographical writings.” The Cambridge Companion to Goethe. Ed. Lesley Sharpe. Cambridge: Cambridge University Press, 2002. 147-159.en
dc.referencesRoberts, David. The Indirections of Desire: Hamlet in Goethe’s “Wilhelm Meister.” Heidelberg: Winter, 1980.en
dc.referencesSafranski, Rüdiger. Goethe: Kunstwerk des Lebens: Biographie. 2013. München: Fischer Taschenbuch, 2015.en
dc.referencesSchlaffer, Hannelore. Wilhelm Meister: Das Ende der Kunst und die Wiederkehr des Mythos. Stuttgart: Metzler, 1980.en
dc.referencesShakespeare, William. Hamlet. The Oxford Shakespeare. Ed. G. R. Hibbard. Oxford: Oxford University Press, 1994.en
dc.references“Shakespeare Globe to Globe” 2 September 2016. http://globetoglobe.shakespearesglobe.com/hamlet/about-the-projecten
dc.referencesSharpe, Lesley. “Goethe and the Weimar theatre.” The Cambridge Companion to Goethe. Ed. Lesley Sharpe. Cambridge: Cambridge University Press, 2002. 116-128.en
dc.referencesSharpe, Lesley. “Introduction.” The Cambridge Companion to Goethe. Cambridge: Cambridge University Press, 2002. 1-5.en
dc.referencesSwales, Martin. “Goethe’s prose fiction.” The Cambridge Companion to Goethe. Ed. Lesley Sharpe. Cambridge: Cambridge University Press, 2002. 128-146.en
dc.identifier.doi10.1515/mstap-2017-0011en


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