“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography

Allen, David; Handley, Agata

dc.contributor.author	Allen, David	en
dc.contributor.author	Handley, Agata	en
dc.date.accessioned	2019-01-22T11:35:23Z
dc.date.available	2019-01-22T11:35:23Z
dc.date.issued	2018-10-29	en
dc.identifier.issn	2083-2931	en
dc.identifier.uri	http://hdl.handle.net/11089/26603
dc.description.abstract	The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.	en
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	en
dc.relation.ispartofseries	Text Matters;8	en
dc.rights	This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0	en
dc.subject	simulacrum	en
dc.subject	sublime	en
dc.subject	DeLillo	en
dc.subject	Baudrillard	en
dc.subject	Plato	en
dc.title	“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography	en
dc.page.number	365-385	en
dc.contributor.authorAffiliation	Midland Actors Theatre, UK	en
dc.contributor.authorAffiliation	University of Łódź	en
dc.identifier.eissn	2084-574X
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dc.contributor.authorEmail	news@midlandactorstheatre.co.uk	en
dc.contributor.authorEmail	agatagrazyna@gmail.com	en
dc.identifier.doi	10.1515/texmat-2018-0022	en

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