Theatre Reviews
| dc.contributor.author | Özçelik, İlker | |
| dc.date.accessioned | 2021-08-10T06:54:54Z | |
| dc.date.available | 2021-08-10T06:54:54Z | |
| dc.date.issued | 2020-06-30 | |
| dc.identifier.issn | 2083-8530 | |
| dc.identifier.uri | http://hdl.handle.net/11089/38608 | |
| dc.description.abstract | Some Shakespeare productions on the Turkish stage in 2017-2018: a one-man Hamlet, an all-wet Romeo and Juliet, and an all-male Merry Wives of Windsor. | en |
| dc.language.iso | en | |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
| dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;36 | en |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.title | Theatre Reviews | en |
| dc.type | Other | |
| dc.page.number | 187-196 | |
| dc.contributor.authorAffiliation | Department of English Language and Literature, Faculty of Science and Letters, Suleyman Demirel University. Isparta, Turkey; Literature Section, School of Humanities, Arts and Social Sciences, Massachusetts Institute of Technology, Boston, USA | en |
| dc.identifier.eissn | 2300-7605 | |
| dc.references | And, Metin. “Theatre in Turkey.” Turkish Studies Association Bulletin 7.2 (1983): 20-31. | en |
| dc.references | Bate, Jonathan. Introduction. The Public Value of the Humanities. Ed. Jonathan Bate. London: Bloomsbury, 2011. 1-14. | en |
| dc.references | Dede Tekin, Gülin. “Shakespeare Ile Ruhdaş Olmak: Bülent Emin Yarar Ve Onur Ünsal.” 22 November 2018. Bant Mag. 25 May 2020. https://bantmag.com/shakespeare-ile-ruhdas-olmak-bulent-emin-yarar-ve-onur-unsal/ | en |
| dc.references | Halman, Talat S. “Shakespearean Art in the Turkish Heart: The Bard in the Ottoman Empire and the Turkish Republic”. Shakespeare 450. Ed. A. D. Bozer. Hacettepe University, 2014. 11-27. | en |
| dc.references | Hübner, Falk. “Entering the Stage - Musicians as Theatrical Performers.” New Sound 36.2 (2010): 63-74. | en |
| dc.references | Hunt, Hugh. “Restoration Acting”. Restoration Theatre. Ed. John Russell Brown and Bernard Harris. London: Arnold, 1965. 178-192. | en |
| dc.references | Lawlor, John. The Tragic Sense in Shakespeare. New York: Harcourt, Brace, 1960. | en |
| dc.references | Martin, Jennifer L. “Tights vs. Tattoos: Filmic Interpretations of Romeo and Juliet.” The English Journal 92.1 (2002): 41-46. | en |
| dc.references | Mazanoğlu, E. S. Ç. “‘All the World is a Stage’: Shakespeare on the Turkish Stage.” Shakespeare 450. Ed. A. D. Bozer. Hacettepe University, 2014. 123-134. | en |
| dc.references | McLaughlin, Erin M. “The Rise and Fall of Elizabethan Theatre.” Syracuse University Honors Program Capstone Projects 588. 2007. https://surface.syr.edu/honors_capstone/588 | en |
| dc.references | Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. New Folger edn. New York: Washington Square Press/Pocket Books, 1992. | en |
| dc.references | Wilson, John Dover. What Happens in Hamlet. 1935. Cambridge: Cambridge UP, 1990. | en |
| dc.contributor.authorEmail | ilkerozzcelik@gmail.com | |
| dc.identifier.doi | 10.18778/2083-8530.21.12 | |
| dc.relation.volume | 21 |
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