| dc.contributor.author | Terentowicz-Fotyga, Urszula | |
| dc.date.accessioned | 2022-10-11T08:00:25Z | |
| dc.date.available | 2022-10-11T08:00:25Z | |
| dc.date.issued | 2018 | |
| dc.identifier.issn | 0084-4446 | |
| dc.identifier.uri | http://hdl.handle.net/11089/43645 | |
| dc.description.abstract | The paper focuses on the modernist psychological novel as a genre that dramatizes the
radical transformations of spatial and temporal categories of the time. The genre is often
identified with the narrative experiments of stream of consciousness, which represent the
mind in and through time. Yet an equally important inheritance of the generic experiments
is the spatialization of the mind — understood in the context of the spatial conception of
human subjectivity and in terms of the spatial character of inner reality. The paper argues
that the most vivid spatialization of the mind is evident in the portrayal of schizophrenic
experience and demonstrates the thesis in the analyses of two novels — Virginia Woolf ’s
The Waves and Samuel Beckett’s Murphy. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;1 | |
| dc.subject | modernism | pl_PL |
| dc.subject | psychological novel | pl_PL |
| dc.subject | space | pl_PL |
| dc.subject | time | pl_PL |
| dc.subject | Woolf | pl_PL |
| dc.subject | Beckett | pl_PL |
| dc.title | When the Mind Becomes a Place: The Modernist Psychological Novel | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 9-23 | pl_PL |
| dc.contributor.authorAffiliation | Uniwersytet Marii Curie-Skłodowskiej, Instytut Anglistyki | pl_PL |
| dc.identifier.eissn | 2451-0335 | |
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| dc.identifier.doi | 10.26485/ZRL/2018/61.1/1 | |
| dc.relation.volume | 61 | pl_PL |
| dc.discipline | literaturoznawstwo | pl_PL |
