dc.contributor.author | Tripathy, Mitashree | |
dc.date.accessioned | 2022-12-16T13:07:34Z | |
dc.date.available | 2022-12-16T13:07:34Z | |
dc.date.issued | 2022-12-14 | |
dc.identifier.issn | 2083-8530 | |
dc.identifier.uri | http://hdl.handle.net/11089/44703 | |
dc.description.abstract | Shakespeare’s comedies mark his artistic excellence in the portrayal of woman characters. Shakespearean women have invariably moved the audience and their understanding towards them from being sweet and mawkish to expressing their needs sternly for integrity, justice through wit and intelligence in his plays. Often strongly approved by the modern feminists, the qualities of intelligence and assertiveness are regarded as admirable qualities in Shakespearean comic heroines. As revolutionaries, Shakespearean female characters have always been projected as strong, sometimes stronger than the male counterparts; often going against the conventions of the society to symbolize what gender equality in the future may be like. Essential qualities like intelligence and wit always fulfilled and made Shakespearean heroines independent personalities. The female characters in Shakespeare’s plays always played an important role in the dramatic run in both tragedies and comedies. This article studies the portrayal of intelligence by Portia in The Merchant of Venice making her the hero of the play. | en |
dc.language.iso | en | |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;40 | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject | Elizabethan drama | en |
dc.subject | Portia | en |
dc.subject | intelligence | en |
dc.title | From Casket to Court via Mercy and the Ring: Commemorating Shakespeare’s Portia in "The Merchant of Venice" | en |
dc.type | Article | |
dc.page.number | 133-149 | |
dc.contributor.authorAffiliation | Birla Global University, India | en |
dc.identifier.eissn | 2300-7605 | |
dc.references | Baker, Wiliam, and Brian Vickers. The Merchant of Venice. New York: Thoemmes Continuum. 2005. | en |
dc.references | Balestraci, Mary. Victorian Voices: Gender Ideology and Shakespeare’s Female Characters. PhD diss., Northeastern University Boston, 2012. | en |
dc.references | Bamber, Linda. Comic Women, Tragic Men: a Study of Gender and Genre in Shakespeare. Stanford, CA: Stanford Univ. Press, 1982. | en |
dc.references | Beecher, Donald, Andrew Wallace, Grant Williams, Travis DeCook, and Bradin Cormack. Taking Exception to the Law: Materializing Injustice in Early Modern English Literature. Toronto: University of Toronto Press, 2015. | en |
dc.references | Bevington, David M. Shakespeare: The Seven Ages of Human Experience. Malden: Blackwell Publishing, 2006. | en |
dc.references | Bloom, Harold. The Merchant of Venice. London: Yale University Press, 2006. | en |
dc.references | Calderwood, John. Lindow. Shakespeare & the Denial of Death. Amherst: University of Massachusetts Press, 1987. | en |
dc.references | Carney, Jo Eldridge. Women Talk Back to Shakespeare: Contemporary Adaptations and Appropriations. Routledge, 2022. | en |
dc.references | Champion, Larry S. The Evolution of Shakespeares Comedy: a Study in Dramatic | en |
dc.references | Perspective. Cambridge: Harvard University Press, 1973. | en |
dc.references | Cieślak, Magdalena. Screening Gender in Shakespeares Comedies: Film and Television Adaptations in the Twenty-First Century. Lanham, Boulder, New York, London: Lexington Books, 2019. | en |
dc.references | Espinosa, Ruben. Masculinity and Marian Efficacy in Shakespeare’s England. London: Routledge, 2016 | en |
dc.references | Ferguson, Ailsa Grant, and Kate Aughterson. Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama. United Kingdom: Bloomsbury Publishing, (n.d.). | en |
dc.references | Gibson, Rex. Teaching Shakespeare. Cambridge: Cambridge University Press, 2016. | en |
dc.references | Habib, Imtiaz H. Shakespeares Pluralistic Concepts of Character: a Study in Dramatic Anamorphism. Selinsgrove: Susquehanna Univ. Press u.a., 1993. | en |
dc.references | Habib, Md. Jakaria. “The Role of Gertrude and Ophelia in Shakespeare’s Hamlet: A Feminist Implication.” Scholars Journal of Arts, Humanities and Social Sciences 10(5) (2022): 220–223 https://doi.org/10.36347/sjahss.2022.v10i05.007 | en |
dc.references | Halio, Jay L. Understanding the Merchant of Venice: A Student Casebook to Issues, Sources, and Historical Documents. London: Greenwood Publishing Group, 2003. | en |
dc.references | Holmer, Joan Ozark. The Merchant of Venice: Choice, Hazard and Consequence. London: Palgrave, 1995. | en |
dc.references | Holmes, Agnew John, and Walter Hilliard Bidwell. Eclectic Magazine: Foreign Literature, Volume 44; Volume 107. New York: Leavitt, Throw and Company, 1886. | en |
dc.references | Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood Press, 2010. | en |
dc.references | Lenz, Carolyn Ruth Swift, Gayle Greene, and Carol Thomas. Neely. The Woman’s Part: Feminist Criticism of Shakespeare. Urbana: University of Illinois Press, 1983. | en |
dc.references | Muir, Kenneth. The Sources of Shakespeare Plays. London: Routledge, 1979. | en |
dc.references | Park, Chaeyoon. “Desire, Disguise, and Disguised Desires in William Shakespeare’s Twelfth Night.” Shakespeare Review 54(4) (2019): 793–810. | en |
dc.references | Pearce, Joseph. Through Shakespeare’s Eyes: Seeing the Catholic Presence in the Plays. San Francisco: Ignatius Press, 2010. | en |
dc.references | Ray, Ratri. William Shakespeares The Merchant of Venice. New Delhi: Atlantic Publishers & Dist, 2005. | en |
dc.references | Ritscher, Lee A. The Semiotics of Rape in Renaissance English Literature. New York: P. Lang, 2009. | en |
dc.references | Shahwan, Saed. “Gender Roles in the Merchant of Venice and Othello.” Theory and Practice in Language Studies 12(1) (2022): 158–164 https://doi.org/10.17507/tpls.1201.19 | en |
dc.references | Shakespeare, William. The Complete Works of William Shakespeare. Halifax: Milner and Sowerby, 1863. | en |
dc.references | Sharma, Meena. “Marriage as a ‘tool’: A Reading of Shakespeare’s Merchant of Venice and Romeo and Juliet.” Teresian Journal of English Studies 15(1) (2022): 63–71. | en |
dc.references | Sheavyn, Phoebe. The Literary Profession in the Elizabethan Age. Manchester: University Press, 1909. | en |
dc.references | Tripathy, Mitashree. “Celebrating Shakespeare’s Portia: A Tribute to Aristotle’s Ethos, Pathos and Logos, in The Merchant of Venice.” AGATHOS 13.1(24) (2022): 7-16. | en |
dc.references | Wells, Stanley. Shakespeare Survey. New York: Cambridge University Press, 1999. | en |
dc.references | Wheeler, Thomas. The Merchant of Venice: Critical Essays. London, NY: Routledge, Taylor et Francis Group, 2015. | en |
dc.contributor.authorEmail | mitashreetripathy84@gmail.com | |
dc.identifier.doi | 10.18778/2083-8530.25.09 | |
dc.relation.volume | 25 | |