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dc.contributor.authorPłaszczewska, Olga
dc.date.accessioned2023-02-13T07:46:49Z
dc.date.available2023-02-13T07:46:49Z
dc.date.issued2011
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/45907
dc.description.abstractThe essay concentrates on the problem of the self−critical discourse of the discipline. First of all, the word crisis, introduced by R. Wellek in 1958 to describe the situation of comparative literature in the USA, is redefined to explain the immediate success of this term all over the world. Moreover, the research embraces other situations in which comparative literature is defined through negative metaphors. Their presence is discussed as a paradox of the succesful discipline which has reigned in humanistic research for more than two centuries. As it results from the research, the purpose of negative figures in self−critical discourse of comparative literature is chiefly rhetorical, but they express the necessity of development and progress, accordingly to the antique concept of crisis meaning 'capacity of judgement', criticism.pl_PL
dc.language.isoplpl_PL
dc.publisherŁódzkie Towarzystwo Naukowepl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;2
dc.subjectComparative Literaturepl_PL
dc.subjectMetacriticismpl_PL
dc.subjectcriticismpl_PL
dc.titleKomparatystyka literacka: paradoksy metakrytykipl_PL
dc.title.alternativeComparative Literature: Metacriticism and its Paradoxepl_PL
dc.typeArticlepl_PL
dc.page.number303-317pl_PL
dc.identifier.eissn2451-0335
dc.relation.volume54pl_PL
dc.disciplineliteraturoznawstwopl_PL


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