| dc.contributor.author | Kędra-Kardela, Anna | |
| dc.date.accessioned | 2023-02-17T17:46:26Z | |
| dc.date.available | 2023-02-17T17:46:26Z | |
| dc.date.issued | 2016 | |
| dc.identifier.issn | 0084-4446 | |
| dc.identifier.uri | http://hdl.handle.net/11089/46051 | |
| dc.description.abstract | Based on the Deictic Shift Theory as adopted by cognitive poetics (Stockwell 2002), this paper
offers an account of fear generating mechanisms involving spatial, temporal, perceptual,
relational and compositional deictic shifts in Angela Carter’s The Bloody Chamber. Focusing
on the ways the reader gets involved in the terrifying story of Carter’s protagonist, the paper
uncovers the complex mechanism of the “production of horror” in the text. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Łódzkie Towarzystwo Naukowe | pl_PL |
| dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;1 | |
| dc.subject | gothic fiction | pl_PL |
| dc.subject | cognitive poetics | pl_PL |
| dc.subject | Deictic Shift Theory | pl_PL |
| dc.subject | Angela Carter | pl_PL |
| dc.subject | The Bloody Chamber | pl_PL |
| dc.title | Fear in Gothic Fiction: A Cognitive Poetic Analysis of Angela Carter’s The Bloody Chamber | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 13-23 | pl_PL |
| dc.contributor.authorAffiliation | Uniwersytet Marii Curie-Skłodowskiej, Instytut Anglistyki | pl_PL |
| dc.identifier.eissn | 2451-0335 | |
| dc.references | Aguirre Manuel (2008), Geometries of Terror: Numinous Spaces in Gothic, Horror and Science Fiction, “Gothic Studies” 10.2: 1−17. | pl_PL |
| dc.references | Bühler Karl (2011) [1934], Theory of Language. The Representational Function of Language, John Benjamins Publishing Company, Amsterdam/Philadelphia. | pl_PL |
| dc.references | Carter Angela (1993) [1979], The Bloody Chamber [in:] A. Carter, The Bloody Chamber and Other Stories, Penguin Books, New York, NY. PDF File. | pl_PL |
| dc.references | Emmott Catherine (1997), Narrative Comprehension. A Discourse Perspective, Clarendon Press, Oxford. | pl_PL |
| dc.references | Galbraith Mary (1995), Deictic Shift Theory and the Poetics of Involvement in Narrative [in:] Deixis in Narrative: A Cognitive Science Perspective, eds. J. F. Duchan, G. A. Bruder, L. E. Hewitt, Lawrence Erlbaum Associates, Hillsdale, NJ: 19−59. | pl_PL |
| dc.references | Hermansson Casie E. (2009), Bluebeard. A Reader’s Guide to the English Tradition, University Press of Mississippi, Jackson. | pl_PL |
| dc.references | Levinson Stephen C. (2010) [1983], Pragmatyka, trans. T. Ciecierski, K. Stachowicz, PWN, Warszawa. | pl_PL |
| dc.references | Moore Rosemary (2009), The Reproof of Curiosity. Carter’s Revision of Bluebeard, “Cabinet des Fées. A Journal of Fairy Tales” Web. 25 April 2013 [online:] http://www.cabinetdesfees. com/2009/the-reproof-of-curiosity-carters-revision-of-bluebeard [access: 8.04.2016]. | pl_PL |
| dc.references | Stockwell Peter (2002), Cognitive Poetics. An Introduction, Routledge, London. | pl_PL |
| dc.references | Stockwell Peter (2002a), Miltonic Texture and the Feeling of Reading [in:] Cognitive Stylistics. Language and Cognition in Text Reading, eds. E. Semino, J. Culpeper, John Benjamins Publishing, Amsterdam and Philadelphia: 73−94. | pl_PL |
| dc.references | Tsur Reuven (2003), Deixis and abstractions: adventures in space and time [in:] Cognitive Poetics in Practice, eds. J. Gavins, G. Steen, Routledge, London and New York: 41−54. | pl_PL |
| dc.relation.volume | 59 | pl_PL |
| dc.discipline | literaturoznawstwo | pl_PL |
