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dc.contributor.authorSidowska, Karolina
dc.date.accessioned2023-02-20T10:49:39Z
dc.date.available2023-02-20T10:49:39Z
dc.date.issued2012
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/46053
dc.description.abstractThe main focus of this article is a bibliophile edition of Nietzsche’s letters and short writings, typed on the Maling Hansen typewriter. The interesting and unfamiliar to wide audience “medial” episode in the biography of German philosopher is presented here in extended context, including his relationship with Lou Andreas Salome, which took place at the same time as fascination about typewriting. New technical medium seems to have affected strongly his writing style, both on formal and semantic level, but also his thinking and self-perception. Typewriting itself is often a topic in the letters to his friends and a source of metaphors, which express an intimate relation between author and his tool. The correspondences between the medium and creative activity of the subject, noticed and reflected in Nietzsche’s texts, are of great importance in the new media theory, represented in the article by McLuhan and Kittler.pl_PL
dc.language.isoplpl_PL
dc.publisherŁódzkie Towarzystwo Naukowepl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;2
dc.subjectNietzschepl_PL
dc.subjectthe Maling Hansen typewriterpl_PL
dc.subjecttechnical mediumpl_PL
dc.subjectself-perceptionpl_PL
dc.subjectcreative activitypl_PL
dc.titleTechniczne zaplecza literatury. Wpływ medium na kształt tekstu na przykładzie maszynopisów F. Nietzschego Schreibmaschinentextepl_PL
dc.title.alternativeTechnical Backgrounds of Literature. The Influence of the Medium on the Text on Example of Nietzsche’s Typescripts Schreibmaschinentextepl_PL
dc.typeArticlepl_PL
dc.page.number201-214pl_PL
dc.contributor.authorAffiliationUniwersytet Łódzki, Katedra Literatury i Kultury Niemiec, Austrii i Szwajcariipl_PL
dc.identifier.eissn2451-0335
dc.referencesAndreas Salome Lou (1968), Lebensrückblick, red. E. Pfeiffer, Insel Verlag, Frankfurt a. Main.pl_PL
dc.referencesKittler Friedrich (1985), Aufschreibesysteme 1800/1900, Wilhelm Fink Verlag, München.pl_PL
dc.referencesKittler Friedrich (1999), Gramophone, Film, Typewriter, Stanford Univerisity Press, Stanford.pl_PL
dc.referencesMcLuhan Marshall (1964), Understanding Media: The Extensions of Man, Mentor, New York.pl_PL
dc.referencesNietzsche Friedrich (1986), Sämtliche Briefe. Kritische Studienausgabe, t. 6, red. Giorgio Colli, Mazzino Montinari, Deutscher Taschenbuch Verlag, München/Berlin/New York.pl_PL
dc.referencesNietzsche Friedrich (2003), Schreibmaschinentexte. Vollständige Edition. Faksimiles und kritischer Kommentar, red. S. Günzel, R. Schmidt-Grépály, Bauhaus-Universität Weimar, Weimar.pl_PL
dc.referencesNietzsche Friedrich (2003), Schreibmaschinentexte. Vollständige Edition. Faksimiles und kritischer Kommentar, red. S. Günzel, R. Schmidt-Grépály, Bauhaus-Universität Weimar, Weimar.pl_PL
dc.referencesNietzsche Friedrich (2005), To rzekł Zaratustra, tłum. S. Lisiecka, Z. Jaskuła, Biblioteka Gazety Wyborczej.pl_PL
dc.referencesNietzsche — Handbuch. Leben — Werk — Wirkung (2011), red. H. Ottmann, Metzler, Stuttgart/Weimar.pl_PL
dc.referencesSafranski Rüdiger (2003), Nietzsche: biografia myśli, tłum. D. Stroińska, oprac. Z. Kuderowicz, Czytelnik, Warszawa.pl_PL
dc.referencesWershler-Henry Darren (2005), The Iron Whim. A Fragmented History of Typewriting, Cornell University Press, Ithaca/New York.pl_PL
dc.relation.volume55pl_PL
dc.disciplinefilozofiapl_PL
dc.disciplineliteraturoznawstwopl_PL
dc.disciplinenauki o kulturze i religiipl_PL


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