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dc.contributor.authorWong, Denise
dc.contributor.editorRembowska-Płuciennik, Magdalena
dc.contributor.editorJeziorska-Haładyj, Joanna
dc.date.accessioned2023-04-15T15:34:15Z
dc.date.available2023-04-15T15:34:15Z
dc.date.issued2022
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/46716
dc.description.abstractThis essay builds upon David Herman’s idea of double deixis to explore the ‘choose-yourown- adventure’ (CYOA) form as a popular subtype of you-narration that foregrounds reader involvement, co-creation, and agency. The central conceit from such instances of hypertext fiction to self-help writing seems to be that you — the reader/consumer — have a choice. However, in my reading of Alejandro Zambra’s Multiple Choice (2014) and Carmen Maria Machado’s In the Dream House (2019), the false equivalence between choice and non-choice becomes particularly palpable when considering the affect of the second-person mode. While the former exemplifies what Irene Kacandes has called ‘proto-’ or ‘paper hypertext’ (2001: 200), the latter is also a memoir. I look at the underexamined intersection of hypertext fiction and autobiographical writing in the history of second-person narratives to restore the significance of negative affect to critical discussion. The agency to choose in you-narratives not only involves the anticipation of guilt, fault and/or shame, but autodiegetic instances of you-narration like Machado’s memoir formalise Jean-Paul Sartre’s phenomenological description of shame and Denise Riley’s concept of malignant inner speech, or malediction.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;4
dc.rightsUznanie autorstwa 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectsecond-person narrationpl_PL
dc.subjecthypertext fictionpl_PL
dc.subjectshamepl_PL
dc.subjectchoicepl_PL
dc.subjectAlejandro Zambrapl_PL
dc.subjectCarmen Maria Machadopl_PL
dc.titleYour Choice and Negative Affect in Alejandro Zambra’s Multiple Choice (2014) and Carmen Maria Machado’s In the Dream House (2019)pl_PL
dc.typeArticlepl_PL
dc.page.number35-50pl_PL
dc.contributor.authorAffiliationQueen Mary University of London, School of English and Dramapl_PL
dc.identifier.eissn2451-0335
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dc.identifier.doi10.26485/ZRL/2022/65.4/3
dc.relation.volume65pl_PL
dc.disciplineliteraturoznawstwopl_PL


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