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The Bored Cossack: The Way of a Ukrainian Warrior

dc.contributor.authorToichkin, Denys
dc.date.accessioned2026-03-16T08:30:18Z
dc.date.available2026-03-16T08:30:18Z
dc.date.issued2025-12-30
dc.identifier.issn3071-7779
dc.identifier.urihttp://hdl.handle.net/11089/57706
dc.description.abstractThe article examines Ukrainian folk paintings of Cossack Mamai as the most complete visual archetype of the Cossack, a professional warrior of the Early Modern period. It argues that Mamai’s static posture and melancholic expression should not be interpreted solely as reflection or sadness, but primarily as a state of boredom, understood in the philosophical sense developed by Martin Heidegger. This boredom emerges from the Cossack’s relationship with time, the steppe landscape, and a psychotype shaped by warfare, isolation, and environmental monotony. An iconographic analysis of key elements (the tree, horse, weapons, bandura, and utensils) shows Mamai as a wealthy, mobile warrior immobilised by enforced rest. The figure is interpreted as one of existential suspension: bored, waiting, aware of purpose yet unable to realise it. In this reading, Mamai becomes a symbol of Ukrainian mentality and of a long-term historical search for identity and meaning.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesFaces of War;2en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectCossack Mamaien
dc.subjectboredomen
dc.subjectUkrainian folk arten
dc.subjectsocial anthropologyen
dc.subjectEarly Modern perioden
dc.subjectmilitary cultureen
dc.titleThe Bored Cossack: The Way of a Ukrainian Warrioren
dc.typeArticle
dc.page.number15-32
dc.contributor.authorAffiliationInstitute of History National Academy of Sciences of Ukraine, Kyiven
dc.identifier.eissn3071-8597
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dc.contributor.authorEmaildenisvt68@gmail.com
dc.identifier.doi10.18778/3071-7779.2025.2.02


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