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dc.contributor.authorПрохорова, Татьяна Г.
dc.date.accessioned2015-05-19T11:56:40Z
dc.date.available2015-05-19T11:56:40Z
dc.date.issued2013
dc.identifier.issn1427-9681
dc.identifier.urihttp://hdl.handle.net/11089/8921
dc.description.abstractThe article shows how the romantic type of artistic mentality manifests itself in postmodern epoch. The main goal here is to study the reception of romantic plot, romantic heroes and conflict on the basis of Dmitriy Lipskerov’s drama “The Family of Freaks” – to show their transformation, peculiarity of the structure and its intertextuality.pl_PL
dc.language.isootherpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesActa Universitatis Lodziensis. Folia Litteraria Rossica;Zeszyt Specjalny
dc.subjectpostmodernismpl_PL
dc.subjectromantic mentalitypl_PL
dc.subjecttransformationpl_PL
dc.subjectinversionpl_PL
dc.subjectparodypl_PL
dc.subjectintertextualitypl_PL
dc.subjectDmitriy Lipskerovpl_PL
dc.subjectVictor Hugopl_PL
dc.subjectAleksandr Kuprinpl_PL
dc.titleРецепция романтических моделей в драматургии эпохи постмодерна (на материале пьесы Дмитрия Липскерова „Семья уродов”)pl_PL
dc.title.alternativeReception of Romantic Models in Postmodern Drama (Dmitriy Lipskerov “The Family of Freaks”)pl_PL
dc.typeArticlepl_PL
dc.page.number[95]-104pl_PL
dc.contributor.authorAffiliationКазанский федеральный университет, Институт филологии и межкультурной коммуникации, Кафедра русской литературы, 420021 Казань, Россия, ул. Татарстан, д. 2pl_PL


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