| dc.contributor.author | Reynolds, Bryan | |
| dc.date.accessioned | 2015-08-04T07:26:13Z | |
| dc.date.available | 2015-08-04T07:26:13Z | |
| dc.date.issued | 2007 | |
| dc.identifier.issn | 2083-8530 | |
| dc.identifier.uri | http://hdl.handle.net/11089/11345 | |
| dc.language.iso | en | pl_PL |
| dc.publisher | Lodz University Press | pl_PL |
| dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;4 | |
| dc.title | EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence | pl_PL |
| dc.type | Other | pl_PL |
| dc.page.number | 127-135 | pl_PL |
| dc.identifier.eissn | 2300-7605 | |
| dc.references | Fabiszak, Jacek. "Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989), Othello (1981/1984)". Multicultural Shakespeare 4 (2007): 59–65. | pl_PL |
| dc.references | Gregor, Keith. "Shakespeare at the Español: Franco and the Construction of a ‘National’ Culture". Multicultural Shakespeare 4 (2007): 29–36. | pl_PL |
| dc.references | Hampton-Reeves, Stuart. "‘Done Like a Frenchman’: Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations". Multicultural Shakespeare 4 (2007): 73–87. | pl_PL |
| dc.references | Hedrick, Donald and Bryan Reynolds, eds. Shakespeare Without Class: Misappropriations of Cultural Capital. New York: Palgrave Macmillan, 2000. | pl_PL |
| dc.references | Krontiris, Tina. "Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)". Multicultural Shakespeare 4 (2007): 37–49. | pl_PL |
| dc.references | Lennox, Patricia. "‘Romanian’ Shakespeare on the New York Stage: Andrei Serban’s Hamlet." Multicultural Shakespeare 4 (2007): 99–108. | pl_PL |
| dc.references | Rayner, Francesca. "Between Transgression and Institutionalisation: Teatro Comuna’s Measure for Measure". Multicultural Shakespeare 4 (2007): 89–98. | pl_PL |
| dc.references | Reynolds, Bryan. Becoming Criminal: Transversal Performance and Cultural Dissidence in Early Modern England. Baltimore: Johns Hopkins University Press, 2002. | pl_PL |
| dc.references | Reynolds, Bryan. Performing Transversally: Reimagining Shakespeare and the Critical Future. New York: Palgrave Macmillan, 2003. | pl_PL |
| dc.references | Reynolds, Bryan. Railroad. Plays International. London: The Performing Arts Trust, Autumn 2006a. | pl_PL |
| dc.references | Reynolds, Bryan. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. London: Palgrave Macmillan, 2006b. | pl_PL |
| dc.references | Reynolds, Bryan and Ayanna Thompson. "Viewing Antitheatricality: or, Tamburlaine’s Post-Theater". Reynolds 2006b: 168–182. | pl_PL |
| dc.references | Schandl, Veronika. "History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955". Multicultural Shakespeare 4 (2007): 51–58. | pl_PL |
| dc.references | Śmiałkowska, Monika. "Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands". Multicultural Shakespeare 4 (2007): 17–27. | pl_PL |
| dc.references | Sokolyansky, Mark. "Richard III in Russian Theatre at the Twilight of the ‘Thaw’". Multicultural Shakespeare 4 (2007): 67–72. | pl_PL |
