dc.contributor.author | Stanton, Kay | en |
dc.date.accessioned | 2015-08-11T11:45:17Z | |
dc.date.available | 2015-08-11T11:45:17Z | |
dc.date.issued | 2015-06-26 | en |
dc.identifier.issn | 2083-8530 | en |
dc.identifier.uri | http://hdl.handle.net/11089/11489 | |
dc.publisher | Lodz University Press | en |
dc.relation.ispartofseries | Multicultural Shakespeare;12 | en |
dc.rights | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | en |
dc.title | Intersections of Politics, Culture, Class, and Gender in Shakespeare’s Titus Andronicus, The Taming of the Shrew, and The Merchant of Venice | en |
dc.page.number | 41-54 | en |
dc.contributor.authorAffiliation | Department of English, Comparative Literature, and Linguistics, California State University at Fullerton, USA. | en |
dc.identifier.eissn | 2300-7605 | |
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dc.identifier.doi | 10.1515/mstap-2015-0004 | en |