dc.contributor.author | Bilgin, Inci | en |
dc.date.accessioned | 2015-08-11T11:45:18Z | |
dc.date.available | 2015-08-11T11:45:18Z | |
dc.date.issued | 2015-06-26 | en |
dc.identifier.issn | 2083-8530 | en |
dc.identifier.uri | http://hdl.handle.net/11089/11491 | |
dc.publisher | Lodz University Press | en |
dc.relation.ispartofseries | Multicultural Shakespeare;12 | en |
dc.rights | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | en |
dc.title | Hamlet in Contemporary Turkey: Towards Postcolonial Feminist Rewrites? | en |
dc.page.number | 65-74 | en |
dc.contributor.authorAffiliation | School of Foreign Languages, Advanced English, Boğaziçi University, Turkey. | en |
dc.identifier.eissn | 2300-7605 | |
dc.references | Albee, Edward. “The Zoo Story”. The Theatre of the Absurd. Ed. Martin Esslin. Pelican P, 1968. | en |
dc.references | Arslan, Savaş. “Turkish Hamlets”. Shakespeare (1745-0918) (1745-0918) 4.2 (2008): 170-182. | en |
dc.references | Bettelheim, Bruno. Freud and Man’s Soul. London, New York: Penguin P, 1991. | en |
dc.references | Bhabha, Homi K. “The Commitment to Theory”. The Location of Culture. Routledge, 1994. | en |
dc.references | Boal, Augusto. Theatre of the Oppressed. London: Pluto, 2008. | en |
dc.references | Burian, Orhan. “Shakespeare in Turkey”. Shakespeare Quarterly 2.2 (1951): 127-128 | en |
dc.references | Cartelli, Thomas and Katherine Rowe. New Wave Shakespeare on Screen. Cambridge, Malden: Polity P, 2007. | en |
dc.references | Cartmell, Deborah. Interpreting Shakespeare on Screen. Palgrave Macmillan, 2000. | en |
dc.references | Du Bois, W. E. B. The Souls of Black Folk. Doverthrift P, 2000. | en |
dc.references | Engünün, İnci. Tanzimat Devrinde Shakespeare. İstanbul: Edebiyat Fakültesi Yayınları, 1979. | en |
dc.references | Fischlin, Daniel and Mark Fortier, eds. Adaptations of Shakespeare. London and New York: Routledge, 2000. | en |
dc.references | Kadın Hamlet: İntikam Meleği. Dir. Metin Erksan, 1976. | en |
dc.references | Hamlet. Dir. Svend Gade and Heinz Schall. Perf: Asta Nielsen and Paul Conradi. Art Film, 1921. Film. | en |
dc.references | Hamlet. Dir. Laurence Olivier. Perf: Laurence Olivier and Basil Sydney. Two Cities, 1948. Film. | en |
dc.references | Hamlet. Dir. Muhsin Ertuğrul. Perf: Ayla Algan. İstanbul Şehir Tiyatroları: 1962-1963, 1964-1965. Stage. | en |
dc.references | Hamlet (in Kurdish). Dir. Celil Toksöz. Diyarbakır Devlet Tiyatrosu Stage Production, 2011. Stage. | en |
dc.references | Hutcheon, Linda. A Theory of Adaptation. New York and London: Routledge, 2006. | en |
dc.references | Lefevere, Andre. Translation, Rewrite and Manipulation of Literary Fame. London and New York: Routledge, 1992. | en |
dc.references | Müller, Heiner. Hamlet-Machine and Other Texts for the Stage. Performing Arts Journal, 2001. | en |
dc.references | Pinter, Harold. Mountain Language. Dramatist’s Play Service, 1988. | en |
dc.references | Raw, Laurence. Exploring Turkish Cultures: Essays, Interviews and Reviews. Newcastle upon Tyne, UK: Cambridge Scholars, 2011. | en |
dc.references | Said, Edward. Orientalism. London: Penguin, 1995. | en |
dc.references | Sanders, Julie. Adaptation and Appropriation. London and New York: Routledge, 2006. | en |
dc.references | Sayın, Gülşen. “Shakespeare in Turkish Cinema: A Cultural Transfer from Hamlet to The Angel of Vengeance (1976). Journal of Adaptation in Film & Performance 4.1 (2011): 17-37. | en |
dc.references | Shakespeare, William. William Shakespeare: The Complete Works. Ed. Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 2005. | en |
dc.references | Showalter, Elaine. “Toward a Feminist Poetics”. The New Feminist Criticism: Essays on Women, Literature and Theory. Ed. Elaine Showalter. London: Virago, 1986. | en |
dc.references | Toksöz, Celil. Interview on Hamlet. <http://hamlet-rast.com/?page_id=18 &lang=e>. | en |
dc.identifier.doi | 10.1515/mstap-2015-0006 | en |