Kenneth Branagh’s Multicultural and Multi-ethnic Filmed Shakespeare(s)

Fabiszak, Jacek

dc.contributor.author	Fabiszak, Jacek	en
dc.date.accessioned	2015-08-11T11:45:19Z
dc.date.available	2015-08-11T11:45:19Z
dc.date.issued	2015-06-26	en
dc.identifier.issn	2083-8530	en
dc.identifier.uri	http://hdl.handle.net/11089/11492
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare;12	en
dc.rights	This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/	en
dc.title	Kenneth Branagh’s Multicultural and Multi-ethnic Filmed Shakespeare(s)	en
dc.page.number	75-86	en
dc.contributor.authorAffiliation	Faculty of English, Adam Mickiewicz University in Poznań, Poland.	en
dc.identifier.eissn	2300-7605
dc.references	As You Like It. Dir. Kenneth Branagh. BBC Films, 2006.	en
dc.references	Branagh, Kenneth. Much Ado About Nothing by William Shakespeare. Screenplay, Introduction, and Notes on the Making of the Movie. New York–London: W.W. Norton & Company, 1993.	en
dc.references	Branagh, Kenneth. Hamlet by William Shakespeare. Screenplay and Introduction. London: Chatto & Windus, 1996.	en
dc.references	Crowl, Samuel. “Flamboyant Realist: Kenneth Branagh”. The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge University Press, 2000. 222-238.	en
dc.references	Crowl, Samuel. Shakespeare and Film. A Norton Guide. New York–London: W.W. Norton & Company, 2008.	en
dc.references	Hamlet. Dir. Laurence Olivier. Two Cities Films, 1948.	en
dc.references	Hamlet. Dir. Kenneth Branagh. Castle Rock Entertainment, 1996.	en
dc.references	Hatchuel, Sarah. Shakespeare, from Stage to Screen. Cambridge: Cambridge University Press, 2004.	en
dc.references	Henry V. Dir. Laurence Olivier. Two Cities Films, 1944.	en
dc.references	Henry V. Dir. Kenneth Branagh. Renaissance Films, 1989.	en
dc.references	Kujawińska Courtney, Krystyna. “Ira Aldridge, Shakespeare, and Color-Conscious Performances in Nineteenth-Century Europe.” Colorblind Shakespeare: New Perspectives on Race and Performance. Ed. Ayanna Thompson. London and New York: Routledge, 2006. 103-122.	en
dc.references	In the Bleak Midwinter. Dir. Kenneth Branagh. Castle Rock Entertainment, 1995.	en
dc.references	Lehmann, Courtney. “Faux Show: Falling into History in Love’s Labour’s Lost.” Ed. Ayanna Thompson. Colorblind Shakespeare: New Perspectives on Race and Performance. London and New York: Routledge, 2006. 69-80.	en
dc.references	Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford University Press, 2002.	en
dc.references	Love's Labour’s Lost. Dir. Kenneth Branagh. Pathé /Arts Council, 2000.	en
dc.references	The Magnificent Seven. Dir. John Sturges. Mirisch Company, 1960.	en
dc.references	Much Ado About Nothing. Dir. Kenneth Branagh. Renaissance Films, 1993.	en
dc.references	Othello. Dir. Stuart Burge. BHE Films, 1965.	en
dc.references	Pittman, L. Monique. Authorizing Shakespeare on Film and Television, New York: Peter Lang Publishing, 2011.	en
dc.references	Richard III. Dir. Laurence Olivier. London Film Productions, 1955.	en
dc.references	Thompson, Ayanna. Passing Strange. Shakespeare, Race, and Contemporary America. Oxford–New York: Oxford University Press, 2011.	en
dc.identifier.doi	10.1515/mstap-2015-0007	en

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Multicultural Shakespeare: Translation, Appropriation and Performance (2015) vol. 12 [12]

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