Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga

Yoshihara, Yukari

dc.contributor.author	Yoshihara, Yukari	en
dc.date.accessioned	2017-02-03T17:20:17Z
dc.date.available	2017-02-03T17:20:17Z
dc.date.issued	2016-12-30	en
dc.identifier.issn	2083-8530	en
dc.identifier.uri	http://hdl.handle.net/11089/20492
dc.description.abstract	In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses.	en
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare;14	en
dc.rights	This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0	en
dc.subject	Pop culture	en
dc.subject	Japan	en
dc.subject	gender	en
dc.subject	cultural hierarchy	en
dc.subject	manga	en
dc.subject	animation	en
dc.title	Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga	en
dc.page.number	107-122	en
dc.contributor.authorAffiliation	University of Tsukuba, Japan	en
dc.identifier.eissn	2300-7605
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dc.identifier.doi	10.1515/mstap-2016-0019	en

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