Analyses/Rereadings/Theories Journal (2014), vol. 2 nr 2
Przeglądaj według
Music and Transformations/Metamorphoses
Volume editors:
Joanna Matyjaszczyk & Maciej Wieczorek
CONTENT
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Phonaesthetic Phonological Iconicity in Literary Analysis Illustrated by Angela Carter’s “The
Bloody Chamber"
Maja Gwóźdź
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The Power of Music in the Tale of Beren and Lúthien by J.R.R. Tolkien
Katarzyna Wiktoria Klag
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The Transformation of the Mother-Daughter Relationship in Amy Tan’s The Joy Luck Club
and The Bonesetter’s Daughter
Patrycja Kordel
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Approaching Transhumanism: On How Human Beings Transform in the 21st Century
Emilia Wendykowska
Najnowsze pozycje
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Approaching Transhumanism: On How Human Beings Transform in the 21st Century
(Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)The following article is to introduce the reader into a cultural and intellectual movement whose aim is to identify the need for improvement in human life in the sphere of physicality as well as mentality with the aid ... -
The Transformation of the Mother-Daughter Relationship in Amy Tan’s The Joy Luck Club and The Bonesetter’s Daughter
(Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)The mother/daughter bond is the central subject of Amy Tan’s two powerful books, The Joy Luck Club and The Bonesetter’s Daughter. Tensions that arise in the novels between a Chinese mother and her Chinese-American daughter ... -
The Power of Music in the Tale of Beren and Lúthien by J.R.R. Tolkien
(Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)Tolkien valued music in his private life, and this is mirrored in his works about Middle-Earth, which owes its very existence to music. It is born out of the song of the Ainur. But the role of music does not end with this ... -
Phonaesthetic Phonological Iconicity in Literary Analysis Illustrated by Angela Carter’s “The Bloody Chamber”
(Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2014)The article offers a phonosemantic analysis of Angela Carter’s “The Bloody Chamber.” The phonosemantic investigation has been based on the corpus of nineteen relevant sound-related descriptions of the sea. Although most ...