Wyświetlanie pozycji 501-520 z 1304

    • Radio – platforma audialna 

      Hopfinger, Maryla (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      Almost one hundred years ago radio introduced mediated aurality to social communications. This revealed the aural dimension of culture and itself became a powerful part of the audiosphere. This democratised access to ...
    • Łódzka Szkoła Radioznawcza 

      Czarnek-Wnuk, Paulina (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
    • Profesor Elżbieta Pleszkun-Olejniczakowa [1948–2016] – wspomnienie 

      Hopfinger, Maryla (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
    • Bibliografia prac prof. zw. dr hab. Elżbiety Pleszkun-Olejniczakowej 

      Bachura-Wojtasik, Joanna; Czarnek-Wnuk, Paulina (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
    • Moja podróż na Księżyc 

      Milewska, Monika (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      The article deals with the complicated fates of my radio drama Podróż na Księżyc [Journey to the Moon]. In it, I write about the inspiration I drew from the work on an article about the subject of death in early silent ...
    • Twórczość Tadeusza Różewicza w radiu 

      Zwolińska, Barbara (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      In the article I focus on the works of Tadeusz Różewicz presented on Polish Radio, of which the most numerous are the works of dramatic art adapted for radio, such as: Akt przerywany [The Interrupted Act], Białe małżeństwo ...
    • Radio dla zagranicy – od hard power do soft power w międzynarodowej nadawczości radiowej 

      Wielopolska-Szymura, Mirosława (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      Shortly after its invention, radio began to be used for political broadcasting with an international range. It was used to exercise power at a distance, sending messages to overseas diplomatic outposts or colonial territories. ...
    • Radio Rajdowe Rozgłośni Regionalnej Polskiego Radia w Olsztynie 1998–2016 

      Szydłowska, Magdalena (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      Radio, seen as an accompanying medium needs to participate in the evolution of needs: change its style, create new forms of mutual relations, make use of a multitude of genres resulting from its multimedia status. In a ...
    • Serwis informacyjny jako ważny element realizacji misji regionalnych rozgłośni radiowych na przykładzie Radia Olsztyn 

      Doliwa, Urszula (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      In accordance with the Act on radiophony and television a public broadcaster, such as the regional broadcasters of Polish Radio, is required to fulfil the so-called public mission. One important element of the programme ...
    • Elementy rozrywki w muzycznej audycji towarzyszącej na przykładzie programów z wybranych rozgłośni komercyjnych 

      Czarnek-Wnuk, Paulina (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      The article presents the form of accompanying musical programming in commercial radio broadcasters in Poland. It examines the questions of the place of entertainment in this kind of production, based on examples from a ...
    • Ludzie – opowieści. Dialog – wywiad – zbliżenie. Casus audycji „Biuro Myśli Znalezionych” w Programie 3 Polskiego Radia 

      Bachura-Wojtasik, Joanna (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
      The aim of the article is to discuss one of the best known journalistic genres – the interview [in its oral form], with particular attention on one of its varieties, i.e. the personal interview. To illustrate this, I have ...
    • Od Redakcji 

      Bachura-Wojtasik, Joanna; Czarnek-Wnuk, Paulina (Wydawnictwo Uniwersytetu Łódzkiego, 2017)
    • Różewicz and Bonhoeffer. On the Margin of the Poem Learning to Walk by Tadeusz Różewicz 

      Dakowicz, Przemysław (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      The departure point of the analysis presented in this article is a poem written by Tadeusz Różewicz learning to walk (nauka chodzenia). The protagonist of the poem is Dietrich Bonhoeffer, who created the theory of “religionless ...
    • Czesław Miłosz’ American Experience in Światło dzienne (Daylight) 

      Kołodziejczyk, Ewa (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      Miłosz’s volume Światło dzienne (Daylight, 1953) is conventionally read by critics as the political poetry deeply engaged with history. The article offers a corrective to this traditional reading by interpreting the volume ...
    • Poetic Lithuania of Miłosz 

      Berkan-Jabłońska, Maria (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      The article deals with the images of Lithuania found in Czesław Miłosz’s poetry. The novels and essays have only been used to confirm the conclusions drawn from the interpretation of selected poems. Despite the frequently-declared ...
    • Miłosz: Self-Reflection as the Topic of a Poetic Description 

      Stelmaszczyk, Barbara (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      Czesław Miłosz’s poetry displays two reverberating topics which may be defined as contradictory existence and world experiences. One of those is the admiration for the beauty of the world and awe consequent upon capturing ...
    • There Will be no Strength. (In)coherence and (Im)potency 

      Antoniuk, Mateusz (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      In 1949, Czesław Miłosz spent a few days in Wroclaw, which was still in ruins after WWII. Six years later Miłosz wrote an interesting poem entitled Pokój (The Room) and created a symbolical vision of the city. The article ...
    • Shoah in Marian Pankowski’s Literary Art 

      Morawiec, Arkadiusz (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      The article centers on the theme of the Holocaust in the literary works of Marian Pankowski: its sources, relations with the concentration camp theme, particular works and their poetics, as well as the aesthetic, social ...
    • Stefan Themerson’s Opera (St. Francis & The Wolf of Gubbio or Brother Francis’ Lamb Chops) 

      Hejmej, Andrzej (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      The paper focuses on the experimental work of Stefan Themerson (St. Francis and The Wolf of Gubbio or Brother Francis’ Lamb Chops, an Opera in 2 Acts, text and music by Stefan Themerson, drawings by Franciszka Themerson, ...
    • Witkacy’s Amusia 

      Bocheński, Tomasz (Wydawnictwo Uniwersytetu Łódzkiego, 2016)
      Witkacy suffered from amusia as a child and as an adult person. He was seriously interested in music only for a little over twenty years (1890–1914?). He wrote his main works as an amusic. The relation between amusia and ...