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dc.contributor.authorDembińska-Pawelec, Joanna
dc.date.accessioned2013-07-09T12:29:51Z
dc.date.available2013-07-09T12:29:51Z
dc.date.issued2012
dc.identifier.issn1505-9057
dc.identifier.urihttp://hdl.handle.net/11089/2306
dc.description.abstractThe sketch shows relations of the late poetry of Jarosław Marek Rymkiewicz with a music and the topic of death. Poet articulates a belief that transverbal property of music deepens and extends the ability of poetry to express the thanatological matters. Rymkiewicz describes life as a constant tending to death. This tending is shown in his poems as a danse moriendi, dance in a rhythm of waltz or landler. Through the music it connects with the cosmic rhythm of nature, the wheel of every existence. Rymkiewicz convinces also that lyrical poetry related with music can defy nothingness. Thanks to oniristic poetic creation poems-songs and poems-ariettes preserve, as in a fairy tale, the continuity of life.en
dc.description.sponsorshipPublikacja dofinansowana przez Wydział Filologiczny UŁpl_PL
dc.language.isoplpl_PL
dc.publisherPrimum Verbumpl_PL
dc.relation.ispartofseriesActa Universitatis Lodziensis, Folia Litteraria Polonica;1
dc.titleDanse moriendi. O muzyczno-tanatologicznych aspektach późnej twórczości lirycznej Jarosława Marka Rymkiewiczapl_PL
dc.title.alternativeDanse moriendi. Musical and thanatological aspects in the late poetry of Jarosław Marek Rymkiewiczen
dc.typeArticleen
dc.page.number230-245
dc.contributor.authorAffiliationInstytut Nauk o Literaturze Polskiej im. Ireneusza Opackiego, Uniwersytet Śląski w Katowicach
dc.relation.volume15


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