Gurami mozaikowy dyryguje Beethovenem. Oniryczny panfikcjonalizm Scen łóżkowych Adama Wiedemanna
Streszczenie
The paper discusses musicality of Sceny łóżkowe (Bedtime scenes) by Adam Wiedemann
understood as the constructive and topical dominant of the book. The writer’s ‘dream
diary’ (including a ‘testimonio’ notation of dreams from 1987 to 2000), simulating the
poetics of a personal document, in fact draws the reader into multilevel intertextual
games. The consequent amalgamation of high and pop culture and the poetics of collage
or sampling organize the dreams records of Sceny łóżkowe. The author analyzes
Wiedemann’s work as a manifesto of panfictionalism and constructivistical ‘world making’
(cf. Siegfried J. Schmidt, Ernst von Glaserfeld, Steven Tötsöy de Zepetnek, Nelson
Goodman). This in turn results in revealing the false referentialism or, more precisely
autopoietic self-referentialism of Wiedemann’s writing, thus showing how unuseful
traditional psychoanalisys and interpretation of dreams are for analyzing the manifestly
constructivistical fabric of the writer’s humorisn’c and grotesque oneiric projections