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dc.contributor.authorDźwinel, Kamil
dc.date.accessioned2013-07-10T15:38:26Z
dc.date.available2013-07-10T15:38:26Z
dc.date.issued2012
dc.identifier.issn1505-9057
dc.identifier.urihttp://hdl.handle.net/11089/2374
dc.description.abstractThe article presents the phenomenon named by the author melosemy. Melosemy is a sensible additions of the poetic text by the connection of his semantic structures with the melody or with vocal and instrumental techniques. The exemplary material for the presentation of this phenomenon from the borderline of music and text are songs of a contemporary polish poet singing own texts with the accompaniment of a guitar — Jacek Kaczmarski (1957—2004). Melosemy is treated as an important aesthetic category in the creativeness of the bard. The conclusion of the text opens a wider research area: it is possible to find melosemy both in the creative output of other authors from the range of the poetic song, as well as in soundtracks and folk music.en
dc.description.sponsorshipPublikacja dofinansowana przez Wydział Filologiczny UŁpl_PL
dc.language.isoplpl_PL
dc.publisherPrimum Verbumpl_PL
dc.relation.ispartofseriesActa Universitatis Lodziensis. Folia Litteraria Polonica;2
dc.titlePiosenki Jacka Kaczmarskiego w aspekcie zagadnienia melosemiipl_PL
dc.title.alternativeJacek Kaczmarski’s songs in the aspect of ‘melosemia’en
dc.typeArticleen
dc.page.number110-120
dc.relation.volume16


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