Końcowa faza procesu twórczego – o pracy Kazimierza Przerwy-Tetmajera nad własnymi tekstami przed oddaniem ich do druku

dc.contributor.author	Grzelak, Izabela
dc.date.accessioned	2013-07-26T14:21:45Z
dc.date.available	2013-07-26T14:21:45Z
dc.date.issued	2010
dc.identifier.issn	1505-9057
dc.identifier.uri	http://hdl.handle.net/11089/2538
dc.description.abstract	The article analyzes the manuscript of a short story, Rzeźbiarz Merten, written by Tetmajer, one of the most known Polish poets at the turn of the 19th and 20th century. The author of this article tries to examine Tetmajer’s writing process. The scholar tries to prove also that this handwriting of Rzeźbiarz Merten is actually an autograph.	en
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	pl_PL
dc.relation.ispartofseries	Acta Universitatis Lodziensis. Folia Litteraria Polonica;13
dc.title	Końcowa faza procesu twórczego – o pracy Kazimierza Przerwy-Tetmajera nad własnymi tekstami przed oddaniem ich do druku	pl_PL
dc.title.alternative	Final stage of creative work – several notes about Kazimierz Przerwa-Tetmajer’s editing work on his own texts before they were given to print	en
dc.type	Article	en
dc.page.number	169-176