dc.contributor.author | Georgopoulou, Xenia | en |
dc.contributor.author | Rasmus, Agnieszka | en |
dc.contributor.author | Tonn, Sebastian | en |
dc.date.accessioned | 2019-01-22T11:20:24Z | |
dc.date.available | 2019-01-22T11:20:24Z | |
dc.date.issued | 2018-10-18 | en |
dc.identifier.issn | 2083-8530 | en |
dc.identifier.uri | http://hdl.handle.net/11089/26569 | |
dc.publisher | Lodz University Press | en |
dc.relation.ispartofseries | Multicultural Shakespeare;17 | en |
dc.rights | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0 | en |
dc.title | Theatre Reviews | en |
dc.page.number | 129-139 | en |
dc.contributor.authorAffiliation | Department of Theatre Studies, University of Athens, Greece. | en |
dc.contributor.authorAffiliation | Institute of English Studies, University of Łódź, Poland. | en |
dc.contributor.authorAffiliation | British and Commonwealth Studies Department, University of Łódź, Poland. | en |
dc.identifier.eissn | 2300-7605 | |
dc.identifier.doi | 10.18778/2083-8530.17.11 | en |