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  • Acta Universitatis Lodziensis. Folia Litteraria Romanica
  • Acta Universitatis Lodziensis. Folia Litteraria Romanica nr 013/2018
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AuthorKaczmarek-Wiśniewska, Anna (1)Opiela-Mrozik, Anna (1)Rachwalska von Rejchwald, Jolanta (1)Wierzbowska, Ewa M. (1)Subjectartist (4)
artysta (4)
19th century literature (1)art. (1)artisan (1)artistic milieu (1)dzieło (1)Gautier (1)genius (1)geniusz (1)... View MoreDate Issued2018 (4)Has File(s)Yes (4)

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Les arts du spectacle selon les romantiques. Stendhal, Gautier, Nerval critiques musicaux 

Opiela-Mrozik, Anna (Wydawnictwo Uniwersytetu Łódzkiego, 2018)
This article is the review of some critical articles of Stendhal, Gautier and Nerval which contain reports of operas, ballets and instrumental music concerts. The aim of this comparative analysis is to define the individual ...
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Les femmes peintres dans les romans et les nouvelles zoliennes : artisanes ou artistes ? 

Kaczmarek-Wiśniewska, Anna (Wydawnictwo Uniwersytetu Łódzkiego, 2018)
Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical ...
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Le milieu d’artistes dans La Force du désir de Krysinska 

Wierzbowska, Ewa M. (Wydawnictwo Uniwersytetu Łódzkiego, 2018)
Marie Krysinska’s novel, La Force du désir, for the longest time was read as a roman à clef, an ironic depiction of the Parisian artistic milieu. Krysinska, a composer, poet, and a writer, exposes a society riddled with ...
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Un Pygmalion moderne. L’artiste aux limites de l’art dans L’OEuvre d’Émile Zola 

Rachwalska von Rejchwald, Jolanta (Wydawnictwo Uniwersytetu Łódzkiego, 2018)
This article introduces a deliberation on the nature and work of an ingenious artist. Frenhofer and Claude Lantier are both artists-painters that try to transcend – thanks to their talents – the limit of their art form. ...

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University of Lodz Repository

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