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dc.contributor.authorZin, Monika
dc.date.accessioned2014-01-31T17:13:13Z
dc.date.available2014-01-31T17:13:13Z
dc.date.issued2012
dc.identifier.issn0080-3545
dc.identifier.urihttp://hdl.handle.net/11089/3373
dc.description.abstractThe conclusion of the project of the University of Munich, aiming at a new publication of all narrative reliefs from the Amaravati School of sculptures (Andhra Pradesh 1st c. BCE – the 4th c. CE) is that there are many reliefs in Andhra for which no explanation can be given, neither in Pali nor in the texts of the ‘northern’ schools. The reason for this is that not a single text is available today from the Buddhist culture of the region (predominantly the Caitika or Śaila Schools associated later with the Mahāsānghikas), so that the narrative reliefs are all that survived today. A typical example presented here is a relief from Amaravati (Fig. 1), explained previously as illustration of the Morajātaka, which in fact must be a different narration of the peacock that gave or saved a child, perhaps from a serpent bite. The story is not known today.pl_PL
dc.language.isoenpl_PL
dc.publisherKomitet Nauk Orientalistycznych PANpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectBuddhist art, Amaravati, sculpture, Buddhist narrative literature, Mahāsānghikapl_PL
dc.titleWhen Stones are All that Survived: The Case of Buddhism in Andhrapl_PL
dc.typeArticlepl_PL


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