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On a Romantic Island: Shakespeare and Mamma mia

dc.contributor.authorWild, Jana B.
dc.date.accessioned2021-10-26T12:22:39Z
dc.date.available2021-10-26T12:22:39Z
dc.date.issued2019-12-30
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/39571
dc.description.abstractThe paper concerns the blockbuster musical film Mamma mia, loosely using some of Shakespearean patterns, topoi and plots. Set on a small Greek island, idylic and exotic, the film offers a contemporary romantic story with new/reversed roles in terms of gender, parenthood, sexuality, marriage and age, pointing to a different cultural paradigm. While the Shakespearean level is recast, remixed and probably less visible, the priority is given to the utopia of the 1970s and to the question of its outcome and transformation.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;35en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectMamma miaen
dc.subjectmusicalen
dc.subjectpopular cultureen
dc.subjectShakespeareen
dc.subjectThe Tempesten
dc.titleOn a Romantic Island: Shakespeare and Mamma miaen
dc.typeArticle
dc.page.number151-161
dc.contributor.authorAffiliationAcademy of Performing Arts Bratislava, SKen
dc.identifier.eissn2300-7605
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dc.contributor.authorEmailvild.vsmu@gmail.com
dc.identifier.doi10.18778/2083-8530.20.11
dc.relation.volume20


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