Book Reviews
| dc.contributor.author | Iwata, Miki | |
| dc.contributor.author | Galland, Nora | |
| dc.contributor.author | Matei-Chesnoiu, Monica | |
| dc.contributor.author | Xia, Yanhua | |
| dc.date.accessioned | 2022-12-16T13:07:35Z | |
| dc.date.available | 2022-12-16T13:07:35Z | |
| dc.date.issued | 2022-12-14 | |
| dc.identifier.issn | 2083-8530 | |
| dc.identifier.uri | http://hdl.handle.net/11089/44705 | |
| dc.language.iso | en | |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
| dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;40 | en |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.title | Book Reviews | en |
| dc.type | Other | |
| dc.page.number | 165-185 | |
| dc.contributor.authorAffiliation | Iwata, Miki - Rikkyo University, Japan | en |
| dc.contributor.authorAffiliation | Galland, Nora - University Côte d’Azur, France | en |
| dc.contributor.authorAffiliation | Matei-Chesnoiu, Monica - Ovidius University, Romania | en |
| dc.contributor.authorAffiliation | Xia, Yanhua - School of Foreign Languages, China West Normal University, China | en |
| dc.identifier.eissn | 2300-7605 | |
| dc.references | Montagu, Elizabeth. An Essay on the Writings and Genius of Shakespear, Compared with the Greek and French Dramatic Poets. London: J. Dodsley, et al., 1769. ECCO. | en |
| dc.references | Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006. | en |
| dc.references | Tuan, Yi-Fu. Tophophilia: A Study of Environmental Perceptions, Attitudes, and Values. Englewood Cliffs: Prentice-Hall, 1974. | en |
| dc.references | Bassi, Shaul. Shakespeare’s Italy and Italy’s Shakespeare: Place, “Race,” Politics. London: Palgrave Macmillan, 2016. | en |
| dc.references | Bunescu, Ioana. Roma in Europe: The Politics of Collective Identity Formation. London: Routledge, 2014. | en |
| dc.references | Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare. Vol. 1. London: Routledge and Kegan Paul, 1957-1975. | en |
| dc.references | Fischlin, Daniel, and Mark Fortier, eds. Adaptations of Shakespeare. London: Routledge, 2000. | en |
| dc.references | Hutcheon, Linda. A Theory of Adaptation. New York: Routledge, 2006. | en |
| dc.references | Innes, Christopher. Modern British Drama: The Twentieth Century. Cambridge: Cambridge University Press, 2002. | en |
| dc.references | Kastan, David Scott. “Preface to the Chinese Translation of Shakespeare and the Book: Ten Years After.” Trans. Tianhu Hao. Medieval and Renaissance Studies. No. 5. Ed. Tianhu Hao. Hangzhou: Zhejiang University Press, 2021. 161-174. | en |
| dc.references | Kastan, David Scott. “What Does ‘Based On’ Mean?: Shakespeare, Source-Study, and Originality.” Medieval and Renaissance Studies. No. 2. Ed. Tianhu Hao. Hangzhou: Zhejiang University Press, 2020. 3-21. | en |
| dc.contributor.authorEmail | Iwata, Miki - mikiiwata@rikkyo.ac.jp | |
| dc.contributor.authorEmail | Galland, Nora - nora.galland@hotmail.fr | |
| dc.contributor.authorEmail | Matei-Chesnoiu, Monica - mchesnoiu@yahoo.com | |
| dc.contributor.authorEmail | Xia, Yanhua - philipxiayanhua@126.com | |
| dc.identifier.doi | 10.18778/2083-8530.25.11 | |
| dc.relation.volume | 25 |
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Multicultural Shakespeare: Translation, Appropriation and Performance (2022) vol. 25 [14]
Shakespeare and Ideology on Page and Stage
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