Theatre Reviews
| dc.contributor.author | Golemi, Marinela | |
| dc.contributor.author | Georgopoulou, Xenia | |
| dc.date.accessioned | 2022-12-16T13:07:36Z | |
| dc.date.available | 2022-12-16T13:07:36Z | |
| dc.date.issued | 2022-12-14 | |
| dc.identifier.issn | 2083-8530 | |
| dc.identifier.uri | http://hdl.handle.net/11089/44706 | |
| dc.language.iso | en | |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
| dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;40 | en |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.title | Theatre Reviews | en |
| dc.type | Other | |
| dc.page.number | 187-199 | |
| dc.contributor.authorAffiliation | Golemi, Marinela - Northern Arizona University | en |
| dc.contributor.authorAffiliation | Georgopoulou, Xenia - National and Kapodistrian University of Athens, Greece | en |
| dc.identifier.eissn | 2300-7605 | |
| dc.references | Durham, Mary Edith. High Albania. Enhanced Media Publishing, 2017. | en |
| dc.references | Dzino, Danijel. “Constructing Illyrians: Prehistoric Inhabitants of the Balkan Peninsula in Early Modern and Modern Perceptions.” Balkanistica 27 (2014): 1-39. | en |
| dc.references | Fermor, David. “In Byron’s Footsteps, through Byron’s Eyes: Literary Tourism and ‘Imagined Geographies’ of Southern Albania.” Journal of Balkan and Near Eastern Studies (2021): 1-23. | en |
| dc.references | Johns, Myke. “Atlanta Director Stages ‘Twelfth Night’ In Albania.” 2 January 2018. | en |
| dc.references | WABE https://www.wabe.org/atlanta-director-stages-twelfth-night-albania/ Accessed 18 September 2022. | en |
| dc.references | Kostihová, Marcela. “Post-communist Nights: Shakespeare, Essential Masculinity, and Western Citizenship.” Twelfth Night: New Critical Essays. Ed. James Schiffer. London and New York: Routledge, 2011. 132-148. | en |
| dc.references | Sedgwick, Eve Kosovsky. Between Men. English Literature and Male Homosocial Desire. 1985. New York: Columbia University Press, 2015. | en |
| dc.references | Shakespeare, William. Twelfth Night, or What You Will. Ed. Keir Elam. London: The Arden Shakespeare, 2008. | en |
| dc.references | Tan, Marcus Cheng Chye. “‘Here I Am... Yet Cannot Hold This Visible Shape’: The Music of Gender in Shakespeare’s Twelfth Night.” Comitatus 32 (2001): 99-125. | en |
| dc.references | Xhoxhi, Ledio. “Shekspiri, Njohës I Mirë I Historisë Shqiptare.” WordPress. 2017 https://xhoxhi.files.wordpress.com/2018/06/shekspiri-njohc3abs-i-mirc3ab-ihistorisc3ab-shqiptare.pdf Accessed 2 October 2022. | en |
| dc.references | Arkoumanea, Louiza [Αρκουμανέα, Λουίζα]. «Τρωίλος και Χρυσηίδα: Σαίξπηρ με ανανεωτικό σκηνοθετικό βλέμμα» [“Troilus and Cressida: Shakespeare in a refreshing directing view”]. 26 March 2022. Lifo https://www.lifo.gr/culture/theatro/troilos-kai-hrysiida-saixpir-me-ananeotiko-skinothetiko-blemma/ Accessed 15 September 2022. | en |
| dc.references | Bouras, Konstantinos [Μπούρας, Κωνσταντίνος]. «Τρωίλος και Χρυσηίδα του Σαίξπηρ [;;;;] στο Εθνικό. Ή όσα δεν φτάνει η αλεπού… πηδάει και τα εκχυδαΐζει» [“Troilus and Cressida by Shakespeare [????] at the National. Or, what the fox cannot get, it leaps and vulgarizes it 5 ”]. 30 March 2022. Fractalart https://www.fractalart.gr/troilos-kai-chrysiida-toy-saixpir/ Accessed 16 September 2022. | en |
| dc.references | Charami, Stella [Χαραμή, Στέλλα]. «Συν & Πλην: “Τρωίλος και Χρυσηίδα” στο Εθνικό Θέατρο» [“Pros and Cons: ‘Troilus and Cressida’ at the National Theatre”]. 22 March 2022. Monopoli https://www.monopoli.gr/2022/03/22/reviews/kritikh-theatroy/566733/syn-plin-troilos-kai-xrysiida-sto-ethniko-theatro/ Accessed 16 September 2022. | en |
| dc.references | Cohen, Alexandros [Κοέν, Αλέξανδρος]. Director’s note [untitled]. Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Γουίλλιαμ Σαίξπηρ [By William Shakespeare]. Programme. Αθήνα [Athens]: Θέατρο Αργώ [Argo Theatre], 2021. 6-7. | en |
| dc.references | Georgopoulou, Xenia. “Food and Identity in Shakespeare’s Plays.” Signs of Identity. Literary Constructs and Discursive Practices. Ed. Emilia Parpală. Newcastle upon Tyne: Cambridge Scholars, 2017. 66-80. | en |
| dc.references | Georgopoulou, Xenia [Γεωργοπούλου, Ξένια]. Ο Σαίξπηρ οριζοντίως και καθέτως [Shakespeare Horizontally and Vertically]. Αθήνα [Athens]: Αιγόκερως [Aigokeros], 2019. | en |
| dc.references | Kranioti, Spyridonia [Κρανιώτη, Σπυριδωνία]. «Ραφίκα Σαουίς: “Δεν με ενδιαφέρει να κάνω οτιδήποτε απλώς για να υπάρχω στον χώρο”» [“Rafika Chawishe: ‘I’m not interested in doing anything just to exist in the field’”]. 29 December 2021. Zougla https://www.zougla.gr/politismos/8eatro-politismos/article/rafika-saois/ Accessed 19 September 2022. | en |
| dc.references | Kyrgia, Eri [Κύργια, Έρι]. «Κάντε πόλεμο, όχι έρωτα» [“Make war, not love”]. Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Ουίλιαμ Σαίξπηρ [By William Shakespeare]. Programme. Αθήνα [Athens]: Εθνικό Θέατρο [National Theatre], 2022. 19-22. | en |
| dc.references | Marinou, Dionysia [Μαρίνου, Διονυσία]. «Το πρωτόγονο στοιχείο του ανθρώπου δεν εξελίσσεται» [“The primitive element in humans does not evolve”]. 16 March 2022. Ot https://www.ot.gr/2022/03/16/plus/to-protogono-stoixeio-tou-anthropouden-ekselissetai/ Accessed 16 September 2022. | en |
| dc.references | Panourgia, Maria [Πανουργιά, Μαρία]. «Σχεδόν άνθρωποι» [“Almost humans”]. | en |
| dc.references | Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Ουίλιαμ Σαίξπηρ [By William Shakespeare]. Αθήνα [Athens]: Εθνικό Θέατρο [National Theatre], 2022. 7. | en |
| dc.references | Theodorakou, Marilena [Θεοδωράκου, Μαριλένα]. «Αλέξανδρος Κοέν: Σκηνοθετεί τρεις καινούργιες παραστάσεις» [“Alexandros Cohen: He directs three new productions”]. 8 September 2020. Youfly https://youfly.com/theatro/alexandroskoen-skinothetei-treis-kainourgies-parastaseis/ Accessed 19 September 2022. | en |
| dc.references | Xanthos, Thanos [Ξάνθος, Θάνος]. «Αλέξανδρος Κοέν: “Ο πολιτισμός αυτή τη στιγμή βρίσκεται στο περιθώριο”» [“Alexandros Cohen: ‘Culture at this moment is marginalized’”]. 12 January 2022. Tetragwno https://tetragwno.gr/life/themata/prosopa/alexandros-koen-o-politismos-ayti-ti-stigmi-vrisketai-sto-perithorio/ Accessed 19 September 2022. | en |
| dc.references | Xenios, Nikos [Ξένιος, Νίκος]. «Εθνικό θέατρο: Μια παράσταση βασισμένη στο Τρωίλος και Χρυσηίδα του Σαίξπηρ (κριτική)» [“National Theatre: A production based on Shakespeare’s Troilus and Cressida (Review)”]. 26 March 2022. Bookpress https://bookpress.gr/politismos/theatro-xoros/15288-troiloskai-chrisiida-ethniko-theatro/ Accessed 16 September 2022. | en |
| dc.references | Zois, Nikolas [Ζώης, Νικόλας]. «Τρωίλος και Χρυσηίδα: Αισιοδοξία είναι ότι κάνουμε αυτά που κάνουμε» [“Troilus and Cressida: Optimism is that we do what we do”]. 25 March 2022. Kathimerini https://www.kathimerini.gr/culture/561776671/troilos-kai-chrysiida-aisiodoxia-einai-oti-kanoyme-ayta-poy-kanoyme/ Accessed 16 September 2022. | en |
| dc.contributor.authorEmail | Golemi, Marinela - marinela.golemi@nau.edu | |
| dc.contributor.authorEmail | Georgopoulou, Xenia - georgopx@yahoo.com | |
| dc.identifier.doi | 10.18778/2083-8530.25.12 | |
| dc.relation.volume | 25 |
Pliki tej pozycji
Pozycja umieszczona jest w następujących kolekcjach
-
Multicultural Shakespeare: Translation, Appropriation and Performance (2022) vol. 25 [14]
Shakespeare and Ideology on Page and Stage
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako https://creativecommons.org/licenses/by-nc-nd/4.0