Гадательный компонент болгарской свадебной песни (сравнительно с русской)

Abstract

In the ritual cycle of the Bulgarian wedding songs pay on themselves attention the structures, which modal unity allows to assume an existence of a common code of the internal development, a code of modal-actional intention (the volitional aspect, by V. Turner). The conjecturalness showed itself as an internal predisposition of "subject" of text on expectation. Doubt, uncertainty in the good and its desirableness make its sense. The sense of distinction of two modalities can be presented in the formulas "the real as the desirable" (Bulgarian) and "the desirable as the real" (Russian). The development in songs of two diverse values are various in a ritual place. Basing on five stages of archaic invariant scheme of wedding, the types of conjectural modal structure in the Bulgarian songs are examined in a sequence: courtship (I), before the wedding (II), up to the wedding (III), in a day of the wedding (IV) and after the wedding (V). It is concluded their difference from the same values of stages in Russian songs.