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Theatre Reviews

dc.contributor.authorCyrus, Cynthia J.
dc.date.accessioned2024-05-09T07:24:28Z
dc.date.available2024-05-09T07:24:28Z
dc.date.issued2023-12-30
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/52133
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;43en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.titleTheatre Reviewsen
dc.typeOther
dc.page.number293-300
dc.contributor.authorAffiliationVanderbilt University, USen
dc.identifier.eissn2300-7605
dc.references“About Us: Culchahworks Arts Collective” [website]. https://www.culchahworks.ca/aboutus Accessed 1 June 2023.en
dc.referencesBrown, Judith. “Pretty Richard (in Three Parts).” Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Ed. Madhavi Menon. Durham [N.C.]: Duke University Press, 2011. 286-293.en
dc.referencesCraig, Andrew. “Rhapsodius” [web biography]. https://www.andrewcraig.me/bio Accessed 1 June 2023.en
dc.referencesDale, Michael. “Review: Saheem Ali Reinvents Shakespeare In The Park With An Audio RICHARD II That Stresses Color Consciousness”. 19 July 2020. Broadway World. https://www.broadwayworld.com/article/BWW-Review-Saheem-Ali-Reinvents-Shakespeare-In-The-Park-With-An-Audio-RICHARD-II-That-Stresses-Color-Consciousness-20200719 Accessed 29 October 2023.en
dc.referencesde Koning, Nina. “Crying at the Discotheque: AIDS, Activism and House Music.” M.A. Thesis. Utrecht University, 2022.en
dc.referencesFinamore, Indigo Hope. “Now is the Winter of Our Discotheques: The Erased LGBTQ Roots of Disco.” 16 May 2019. Medium. https://indigohopefinamore.medium.com/now-is-the-winter-of-our-discotheques-the-erased-lgbtq-roots-of-disco-81c21a04529d Accessed 29 October 2023.en
dc.referencesHansen, Adam. Shakespeare and Popular Music. London and New York: Continuum, 2010.en
dc.referencesHubbs, Nadine. “‘I Will Survive:’ Musical Mapping of Queer Social Space in a Disco Anthem.” Popular Music 26 (2007): 231-244. Lawrence, Tim. “Disco and the Queering of the Dance Floor.” Cultural Studies 25 (2011): 230-243.en
dc.referencesMustanoja, Tauno. “Shakespeare in Finland.” Shakespeare Quarterly 34 (1983): 239-240.en
dc.referencesPatterson, Elizabeth. “Stayin’ Alive at Sydney Theatre; Shakespeare Meets Disco in Latest Production.” Chronicle – Herald [Halifax, N.S.] 13 March 2018: D3.en
dc.referencesShakespeare, William. Henry IV, Part 2. Ed. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library. https://www.folger.edu/explore/shakespeares-works/henry-iv-part-2/ Accessed 1 June 2023.en
dc.referencesShakespeare, William. Richard II. Ed. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library. https://www.folger.edu/explore/shakespeares-works/richard-ii/ Accessed 1 June 2023.en
dc.referencesShakespeare, William. Richard II. Dir. Saheem Ali. New York City’s Free Shakespeare on the Radio, in conjunction with WNYC and The Public Theater. https://publictheater.org/productions/season/1920/richard-ii/ Accessed 1 June 2023.en
dc.referencesThomas, Chad Allen. “Queer Shakespeare at the Citizens Theatre”. Shakespeare Bulletin 33.2 (Summer 2015): 245-271.en
dc.referencesWetmore, Kevin J. “Are You Shakespearienced? Rock Music and Contemporary American Production of Shakespeare.” Theatre Symposium 12 (2004): 48-64.en
dc.contributor.authorEmailcynthia.cyrus@vanderbilt.edu
dc.identifier.doi10.18778/2083-8530.28.17
dc.relation.volume28


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