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Shakespeare Engraved: Frontispiece and Bardolatry

dc.contributor.authorSasaki, Kazuki
dc.date.accessioned2025-02-13T15:36:08Z
dc.date.available2025-02-13T15:36:08Z
dc.date.issued2024-12-30
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/54606
dc.description.abstractThe term Bardolatry has been used for over a century to describe the adoration of an Elizabethan playwright, Shakespeare, but the causes of this phenomenon have not been fully elucidated. The study explores the nature of this worship produced and disseminated by various theatrical cultures during the long eighteenth century. To understand the formation of the phenomenon, this paper examines the shifts in the engraved frontispieces, taking The Tempest as an example.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;45en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectWilliam Shakespeareen
dc.subjectBardolatryen
dc.subjectfrontispieceen
dc.subjectThe Tempesten
dc.subjectadaptationen
dc.subjectthe long eighteenth centuryen
dc.subjecttheatrical cultureen
dc.titleShakespeare Engraved: Frontispiece and Bardolatryen
dc.typeArticle
dc.page.number155-171
dc.contributor.authorAffiliationAkita University, Akita, Japanen
dc.identifier.eissn2300-7605
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dc.contributor.authorEmailzsasaki0925@gmail.com
dc.identifier.doi10.18778/2083-8530.30.10
dc.relation.volume30


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