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dc.contributor.authorBridgman, Timothy
dc.date.accessioned2026-09-15T07:05:43Z
dc.date.available2026-09-15T07:05:43Z
dc.date.issued2026-07-24
dc.identifier.issn1427-9657
dc.identifier.urihttp://hdl.handle.net/11089/59337
dc.description.abstractThis research examines how the Olympic Museum in Lausanne addresses sociopolitical issues occurring at past Olympic Games in its permanent exhibitions. It provides a background on the previous Olympic political policy and the Olympic Stakeholder theory, implying the existence of a sociopolitical arena in Olympic sport, then identifies exhibits within the museum that convey overtly sociopolitical messages. Themed observational evidence taken from two separate museum visits is used to provide the basis of a claim that the museum has increased the recognition of the Olympic Games as a sociopolitical arena. Yet, an interview with the museum did not confirm this finding, as, instead, the museum sought to distance itself from both the subject matter and academic research. The conclusion offers an explanation of the museum’s actions in terms of the denial of political responsibilities and the rejection of the concept of the politics of display. en
dc.description.abstractArtykuł analizuje, w jaki sposób Muzeum Olimpijskie w Lozannie odnosi się w swoich stałych ekspozycjach do kwestii społeczno-politycznych występujących podczas wcześniejszych igrzysk olimpijskich. Przedstawia tło wcześniejszej polityki olimpijskiej oraz teorii interesariuszy olimpijskich, sugerując istnienie społeczno-politycznej areny w sporcie olimpijskim, a następnie identyfikuje eksponaty w muzeum, które przekazują treści wyraźnie społeczno-polityczne. Tematyczne obserwacje zebrane podczas dwóch oddzielnych wizyt w muzeum stanowią podstawę twierdzenia, że muzeum w większym stopniu zaczęło uznawać igrzyska olimpijskie za arenę społeczno-polityczną. Jednak wywiad przeprowadzony z przedstawicielami muzeum nie potwierdził tego wniosku, ponieważ instytucja ta starała się raczej zdystansować zarówno od samej tematyki, jak i od badań akademickich. W zakończeniu zaproponowano wyjaśnienie działań muzeum w kategoriach zaprzeczania odpowiedzialności politycznej oraz odrzucenia koncepcji polityki ekspozycji. pl
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesEastern Review;2pl
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectOlympic Museum Lausanneen
dc.subjectInternational Olympic Committeeen
dc.subjectOlympic Gamesen
dc.subjectsociopolitical arenaen
dc.subjectsport heritageen
dc.subjectpublic sport historyen
dc.subjectthe museum politics of displayen
dc.subjectpolitical proxyen
dc.subjectMuzeum Olimpijskie w Lozanniepl
dc.subjectMiędzynarodowy Komitet Olimpijskipl
dc.subjectIgrzyska Olimpijskiepl
dc.subjectarena społeczno-politycznapl
dc.subjectdziedzictwo sportowepl
dc.subjectpubliczna historia sportupl
dc.subjectmuzealna polityka ekspozycjipl
dc.subjectpełnomocnik politycznypl
dc.titleIt Is Not Our Problem: Socio-Politics at the Olympic Museum in Lausanneen
dc.title.alternativeTo nie nasz problem: Socjo-polityka w Muzeum Olimpijskim w Lozanniepl
dc.typeArticle
dc.page.number7-25
dc.contributor.authorAffiliationUniversity of Łódźen
dc.identifier.eissn2451-2567
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dc.contributor.authorEmailtimothy.bridgman@uni.lodz.pl
dc.identifier.doi10.18778/1427-9657.14.2.01
dc.relation.volume14


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