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dc.contributor.authorCzerwińska, Jadwiga
dc.date.accessioned2026-09-16T11:11:05Z
dc.date.available2026-09-16T11:11:05Z
dc.date.issued2018-12-30
dc.identifier.citationCzerwińska J., Amatorstwo i wykluczenie w kontekście antycznego teatru rzymskiego, [w:] Spektakl jako wydarzenie i doświadczenie: Aktor, Jajte-Lewkowicz I., Wąsik M. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2018, s. 43-65, https://doi.org/10.18778/8088-782-4.04pl_PL
dc.identifier.isbn978-83-8088-781-7
dc.identifier.urihttp://hdl.handle.net/11089/59357
dc.description.abstractWhen talking about ancient theatre, it should be emphasized that we deal with drama and theatre of Greeks and Romans. However these both theatres have undergone various transformations which introduced changes in their nature, their essential features remain distinctive from each other. In Roman culture, the main hallmark of the theatre was its cultural foreignness, since theatre in Rome was just adapted from Greece. is “foreignness” can be considered in various aspects: religious, territorial, mental, moral, legal. Furthermore, it caused that actors of professional theatre were socially excluded and imposed with infamypl_PL
dc.description.sponsorshipArtykuł jest częścią projektu badawczego Starożytny teatr i dramat w świetle pism scholiastów finansowanego przez Narodowe Centrum Nauki (DEC-2012/07/B/HS2/01475).pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofJajte-Lewkowicz I., Wąsik M. (red.), Spektakl jako wydarzenie i doświadczenie: Aktor, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2018;
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleAmatorstwo i wykluczenie w kontekście antycznego teatru rzymskiegopl_PL
dc.title.alternativeAmateurishness and Exclusion in the Context of Ancient Roman Theatrepl_PL
dc.typeBook chapterpl_PL
dc.page.number43-65pl_PL
dc.identifier.eisbn978-83-8088-782-4
dc.identifier.doi10.18778/8088-782-4.04


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