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dc.contributor.authorWright Laurenceen
dc.date.accessioned2015-06-10T14:50:23Z
dc.date.available2015-06-10T14:50:23Z
dc.date.issued2011-11-30en
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/9444
dc.publisherLodz University Pressen
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;8en
dc.rightsThis content is open access.en
dc.titleInterrogating The Spread Of Shakespeareen
dc.page.number5-18en
dc.contributor.authorAffiliationRhodes University, South Africaen
dc.identifier.eissn2300-7605
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dc.referencesOzact website. Ed. Lisa Widdup. 8 February 2010. http://www.ozact.com/aboutus.htmlen
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dc.referencesShakespeare, William. The Merchant of Venice. Ed. John Russell Brown. The Arden Shakespeare. London: Methuen, 1955.en
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dc.referencesTaylor, Gary. "Hamlet in Africa 1607". Travel Knowledge: European ‘Discoveries’ in the Early Modern Period. Eds. Ivo Kamps and Jyotsna G. Singh. New York: Palgrave, 2000. 211-48.en
dc.referencesVan Schalkwyk, Simon. Review of As You Like It, directed by Geoffrey Hyland. Maynardville Open-Air Theatre, Cape Town, February 2009. Shakespeare in Southern Africa 21 (2009):84-85.en
dc.referencesWilliams, Raymond. "Base and Superstructure in Marxist Cultural Theory". Culture and Materialism. London: Verso, 2005. 31-49.en
dc.referencesWright, Laurence. "Inventing the Human: Brontosaurus Bloom and ‘the Shakespeare in us’". The Shakespearean International Yearbook 8 (2008): 238-260.en
dc.referencesWright, Laurence. "Introduction: South African Shakespeare in the Twentieth Century". The Shakespearean International Yearbook 9 (2009): 3-28.en
dc.identifier.doi10.2478/v10224-011-0002-9en


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