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dc.contributor.authorKwapisz Williams Katarzynaen
dc.date.accessioned2015-06-10T15:15:12Z
dc.date.available2015-06-10T15:15:12Z
dc.date.issued2012-12-28en
dc.identifier.issn2083-8530
dc.identifier.urihttp://hdl.handle.net/11089/9458
dc.publisherLodz University Pressen
dc.relation.ispartofseriesMulticultural Shakespeare: Translation, Appropriation and Performance;9en
dc.rightsThis content is open access.en
dc.titlePolish Macbeth and the Middle East Crisisen
dc.page.number26-33en
dc.contributor.authorAffiliationBritish and Commonwealth Studies Department, University of Lodz, Polanden
dc.identifier.eissn2300-7605
dc.referencesAnon., “Szekspir pod mostem,” E-teatr, 16 July 2008. <http://www.eteatr. pl/pl/artykuly/58003.html?komentarz=18717>.en
dc.referencesCollett, Christopher. “Macbeth: Who Is That Bloodied Man?” Metro. <http://www.metro.co.uk/metrolife/edfest/61838-macbeth-who-is-that-bloodiedman# ixzz1oU515ICF>.en
dc.referencesComerford, Patrick. “Poems for Lent (1): ‘Ash Wednesday’, TS Eliot.” 22 February 2012. Patrick Comerford Blog. <http://revpatrickcomerford.blogspot.com.au/2012/02/poems-for-lent-1-ashwednesday- ts-eliot.html>.en
dc.referencesDekel, Ayelet. “Blood on His Hands: Shakespeare in the Street”. Midnight East 13 June 2009. <http://www.midnighteast.com/mag/>.en
dc.referencesDrewniak, Łukasz, “Wirusy MacBetha,” Foyer 1 (2005), E-teatr, available at <http://www.eteatr. pl/pl/artykuly/44455,druk.html>.en
dc.referencesEliot, T.S. Collected Poems, 1909-1962. The Centenary Edition. Harcourt Brace Jovanovich, 1991.en
dc.referencesFisher, Mark. “Stilted performance”. The List (581) 1 August 2007. <http://edinburghfestival.list.co.uk/article/2599-stilted-performance/>.en
dc.referencesGibinska, M. and J. Limon., eds., Hamlet West-East, Gdansk: Theatrum Gedanense Foundation, 1998.en
dc.referencesIsherwood, Charles, “A Bunny, Too, Can Strut and Fret Upon This Stage,” New York Times. <http://theater.nytimes.com/2008/06/23/theater/reviews/23macb.html?8dpc>.en
dc.referencesKirwan, Peter. “Macbeth: Who Is That Bloodied Man? @ The Square2, National Theatre”. The Bardathon 11 August 2008. <http://blogs.warwick.ac.uk/pkirwan/tag/macbeth/>.en
dc.referencesKomorowski, Jaroslaw, Piramida zbrodni. Makbet w kulturze polskiej 1870-1989, Warszawa, Instytut Sztuki PAN: 2002.en
dc.referencesKott, Jan, Szekspir wspolczesny, Warszawa: PIW, 1965.en
dc.referencesKrakowska, Joanna. “Shakespeare’s Paradoxical Victory: the 1990s.” Theatre ResearchInternational 21 (1996): 164-170.en
dc.referencesKujawinska-Courtney, Krystyna. “Der polnische Prinz: Rezeption und Appropriation des Hamlet in Polen”. Shakespeare-Jahrbuch (1995), 82-92.en
dc.referencesKujawinska-Courtney, Krystyna and Katarzyna Kwapisz Williams. “‘The Polish Prince’: Studies in Cultural Appropriation of Shakespeare’s Hamlet in Poland.” Hamlet Works. Ed. B.W. Kliman. USA, 2008. <www.hamletworks.org>.en
dc.referencesMiłkowski, Tomasz, “Makbet na kazdej scenie,” Przeglad 14/10.04 (2005). <http://www.eteatr. pl/pl/artykuly/10944.html>.en
dc.referencesMoscicki, Tomasz, “Totalne Zmakbecenie,” Odra 12 (2005). <http://fotomost.acn.waw.pl/teatrtxt/Zmakbecenie.htm>.en
dc.referencesRyzik, Melena “A Polish Macbeth to go to Brooklyn,” The New York Times, 11.06.2008. <http://www.nytimes.com/2008/06/13/arts/13iht-play.1.13637969.html>.en
dc.referencesTaylor, James C. “Many faces of Macbeth. Shakespeare's ‘Scottish Play’ meets an array of modern interpretations,” The Christian Science Monitor, 2 May 2008. <http://www.csmonitor.com/2008/0502/p13s01-almp.html>.en
dc.referencesWyżynska, Dorota, “Makbet jedzie do Nowego Jorku,” Gazeta Wyborcza - Stołeczna 299 (2004). <http://www.teatry.art.pl/!recenzje/macbeth_jar/mjdno.htm>.en
dc.identifier.doi10.2478/v10224-011-0013-6en


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