Shakespeare on the Peking Opera Stage

dc.contributor.author	Li Weimin	en
dc.date.accessioned	2015-06-10T15:15:30Z
dc.date.available	2015-06-10T15:15:30Z
dc.date.issued	2013-12-31	en
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/9466
dc.publisher	Lodz University Press	en
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;10	en
dc.rights	This content is open access.	en
dc.title	Shakespeare on the Peking Opera Stage	en
dc.page.number	29-37	en
dc.contributor.authorAffiliation	Sichuan International Studies University, China	en
dc.identifier.eissn	2300-7605
dc.references	Brandon, James. “Kabuki and Shakespeare: Balancing Yin and Yang.” TDR 43.2 (1999): 15-53.	en
dc.references	Eagleton, Terry. Literary Theory: An Introduction. Blackwell, 1983.	en
dc.references	Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia University Press, 1980.	en
dc.references	Lan, Fan. Comparative Drama: East and West. Shanghai: Xuelin Press, 1992.	en
dc.references	Samoyault, Tiphaine. Intertextuality. Trans. Shao Wei. Tianjin: Tianjin People’s Press, 2003.	en
dc.references	Shi, Yukun, “Xiangfuxiangcheng hunranyiti (Director’s Words on Peking Opera Prince in Revenge).” Web. 1 May 2011. <http://www.peking opera.sh.cn/detail>.	en
dc.references	Zhu, Shenghao, trans. Shashibiya quanji (Complete Works of Shakespeare). Beijing: People’s Literature Press. 1st ed., 1978. 11 vols.	en
dc.identifier.doi	10.2478/mstap-2013-0003	en