dc.contributor.author | Guntner, Lawrence | |
dc.date.accessioned | 2015-06-11T10:33:01Z | |
dc.date.available | 2015-06-11T10:33:01Z | |
dc.date.issued | 2007 | |
dc.identifier.issn | 2083-8530 | |
dc.identifier.uri | http://hdl.handle.net/11089/9494 | |
dc.description.abstract | Shakespeare has been performed on European stages for over 400 years. English strolling
players began coming to the Continent in the 1590s and brought with them Shakespeare´s
dramas in abbreviated and adulterated forms. Since then Shakespeare´s plays in Europe have
served as models for indigenous national theater traditions and as public forums for political
subversion. With the growing need for a pan-European cultural consensus since 1990,
Shakespeare´s dramas have functioned as spaces for staging the transformation of Europe. As
such the history of Shakespeare performance on the European stage is simultaneously an
ongoing history, a grand narrative, of the European cultural memory. | pl_PL |
dc.language.iso | en | pl_PL |
dc.publisher | Lodz University Press | pl_PL |
dc.relation.ispartofseries | Multicultural Shakespeare: Translation, Appropriation and Performance;4 | |
dc.title | Shakespeare and Europe: History – Performance – Memory | pl_PL |
dc.type | Other | pl_PL |
dc.page.number | 11-15 | pl_PL |
dc.identifier.eissn | 2300-7605 | |