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dc.contributor.authorSterna, Marta
dc.date.accessioned2016-01-07T15:03:56Z
dc.date.available2016-01-07T15:03:56Z
dc.date.issued2015
dc.identifier.issn1733-0319
dc.identifier.urihttp://hdl.handle.net/11089/16302
dc.description.abstractA discussion on the origin of Pulcinella, the most important mask of Neapolitan Theatre, is the subject matter of the following article. At the beginning, I will present the characteristics of this figure including his symbolism. Then, I will discuss possible connections of Pulcinella with some dramatic forms of ancient theatre. At the same time, I will describe a review of study of this figure specifying the most important phases of this research. The conclusion of this article will consist of the summary of the results of carried out analysis.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesCollectanea Philologica;18 (2015)
dc.subjectmaskpl_PL
dc.subjectPulcinellapl_PL
dc.subjectNeapolitan theatrepl_PL
dc.subjectancient theatrepl_PL
dc.subjectMaccuspl_PL
dc.titleTeorie pochodzenia Pulcinelli i jego związki z antykiempl_PL
dc.title.alternativeTheories of Origin of Pulcinella and His Connections with Antiquitypl_PL
dc.typeArticlepl_PL
dc.rights.holder© Copyright by Uniwersytet Łódzki, Łódź 2015pl_PL
dc.page.number101-109pl_PL
dc.identifier.eissn2353-0901
dc.contributor.authorBiographicalnoteMgr Marta Sterna – Uniwersytet Łódzki, Katedra Filologii Klasycznej, Katedra Italianistyki, ul. 171/173, 90-236 Łódź. She received her M.A. in Classical Philology from University of Łódź. A title of her M.A. thesis was “The antic roots of Pulcinella”. Student, a Ph.D. candidate (without employment) in Italian Philology Department at University of Łódź. Areas of research interest: Neapolitan theatre, theatre of Ancient Greece and Italy.pl_PL
dc.identifier.doi10.18778/1733-0319.18.09


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