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dc.contributor.authorSterna, Marta
dc.date.accessioned2019-03-13T09:52:52Z
dc.date.available2019-03-13T09:52:52Z
dc.date.issued2018
dc.identifier.issn1733-0319
dc.identifier.urihttp://hdl.handle.net/11089/27082
dc.description.abstractThe subject of reflection in this article are antique topoi, whose transmission and reception can be observed in contemporary Italian drama. This topic is discussed on the example of RaffaeleViv­iani’s play entitled Pescatori (Fishermen), in which you can distinguish the presence of two topoi: a young man and an old man. Moreover, the aim of the article is to look at these topoi in the context of the world of the value of ancient culture, the echo of which also seems to resonate in the song. Taking into account, however, that the issue of connections between the dramaturgy of the Neapol­itan writer and the specific elements of the Greek tragedy is an extremely broad problem, this study is merely a delineation of this subject and an indication for further directions of research.en_GB
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesCollectanea Philologica; 21
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.pl_PL
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0pl_PL
dc.subjectNeapolitan dramaen_GB
dc.subjectVivianien_GB
dc.subjectPescatorien_GB
dc.subjectancient cultureen_GB
dc.subjecttoposen_GB
dc.titleTopos starca i młodzieńca w dramacie Pescatori Raffaela Vivianiego w kontekście świata wartości kultury antycznejpl_PL
dc.title.alternativeThe Topos of the Old and the Youth in the Drama Pescatori by Raffaele Viviani in the Context of the World of Values of Ancient Cultureen_GB
dc.typeArticlepl_PL
dc.page.number127-141
dc.contributor.authorAffiliationUniwersytet Łódzki
dc.identifier.eissn2353-0901
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dc.contributor.authorEmailsterna.marta@gmail.com
dc.identifier.doi10.18778/1733-0319.21.09


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